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 India Dharamsala

Subbody Resonance Butoh School
Himalaya
Rhizome Lee

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 What's New?

Accepting short term students
1 September - 12 December, 2014
You can start Every Monday flexiblly


Accepting One year course 2015-16
9 March 2015 - 11 December 2015
9 spaces remained
7 September 2015 - 17 June 2016
11 spaces remained

Application: subbody [at] gmail.com
Read more
 Midwife Guide
7 Edge work
 17 September, 2014

What is the Edge?

As usual, when we enter the subconscious world, everybody meet unknown unconfortable qualia.
It appears as the mixture of physical and mental unpleasant condition and sensation.
It is felt that as "Suffocated (=cannot breathe)", or as if "Pressed by someone". Sometimes it connect to Archetypes as felt as if "Some evel spirit hates me or attacks me."
To overcome it is one of most important method to continue the travle in the darkness of body and open full creativity and originality of Life.
I introduce some articles about 'Edge".
All old students have experienced it. Anyhow overcome and passed through these processes.

(This seiries will be sorted in the "Midwife Guide".)



 Student's experience of Edge


Asuka





My biggest teaching / Asuka

 

When I faced my unknown edge, I faced a deep pressure feeling in my chest:

pain, cannot breathe, cannot speak, need to cry. It was going on for more than a week already.


(edge1 picture)

I definitely didn't wan't to deal with it.. I felt so annoyed when you proposed edge work exercises.

It was so bad, I couldn't figure out what it was or why is this was happening to me.

I thought, if it's just anguish, it will pass, then it's no use to do anything about it, otherwise I'll just feed it...

and I don't want to make things worse..

However, with all the aversion I had, I slowly followed your propositions..

 

Suddently, I realised it was me pressing me : My self was struggling and oppressing me.

I watched and asked silently: ¨ Why are you doing this to me? Why do you want to kill me ? ¨

It answered that we were having a war, and I was divided because of paradoxe.

I wanted one thing and its opposite, to be one thing and the opposite,

so the other me was embodying my opposite.

Because I had been suppressing it, also it was suppressing me.

But I realised..

we cannot live without each other. Whatever happens, we must continue to live together

Me and my opposite,

We converse..

We must take care of each other, otherwise no one can live,

it is a matter of surviving.

 

Together, reunited, we can be All.

Everything that seems outside, isn't separate.

We are One.

Everytime I deny something, hate, or suppress something,

I am denying a part of the whole.

Each time I forgive and reconcile myself with something that seems outside of me,

I forgive and reconcile myself with a part of me..

and now, this is my work..

 

In order to survive..

To recognise everything as oneness..

Not to dissociate myself with what is around..

this is also how I am erased..

There is no such thing as individuation.

Most of all, to find Balance, because Balance is a universal law..

And to be able to see with the eyes of the opposite is

the key to finding Balance.

This drawing emerged then.

The white human as myself as I consciously know myself,

all that seems stable,material, that I perceive as reality,

 all that I accept as a world, self image, identity..

The dark human as my unconscious side,

all that is unstable, immaterial, unknown world,

all unaccepted aspects or repressed self,

shadow..

 

Inspired by the ying and yang symbol of balance,

I found out a way to move beyond the edge of the moment,

I traded eyes with my opposite,

saw myself, erased my mind,

understood, and let go..

 

This was perhaps the biggest freeing feeling of my life...

I wish to apply it all along.

 

Thank you Lee, for pushing us to face our edge.


Read more about "Edge work"

Learn more the edge work from Mindell


Edge work 1

When you meet an edge, What can you do?


When we enter subbody world and travel various states, we often encounter edges which some blocks bind us with unplesant body feeling or strange emotion.
We are confused and we feel that we cannot proceed anymore.
If we meet these edges or blocked feeling, we have several behaviours to the edges.
With following the stage, we can proceed the behaviour to the edge step by step.

When you meet the edge, at first stage you follow 1. Recognizing, and 2.Listening. And if you can feel that you are ready to communicate with it deeper, proceed to 3. Becoming. Become the edge from both side. Then finnaly you can enter the fouth stage 4. Dancing the edge.

1. Recognizing

We can just recognize it and leave from there, we don't need to force ourselves to overcome it. There are so many different subbodies in our darkness of body, we can find another subbody and follow it. There is multi-dimensional labyrinth in the darkness, then someday we meet again the edge behind you, 'Oh! you are here!'. Or at the far distance below you may find the edge.

2. Listening

Listen up to the unpleasnt feeling of edge with a respect.
Because the feeling from edge is always a deep message from our life. After for a while, we must find a big awareness.
According to Arnord Mindell, when the first process which is one's daily self identity and the second process which is not belong identity meet, first process want to drive away the second process from his/her telitory, because the second process seems to attack first process from outside of it.
When we enter subbody world, the relationship between the first process and second process is changed, and the first process feel big fllustration against the second process. Because the second process seems to change the first process as if a revolution.
But actually, both tendencies belong to our whole self, a tendency is to keep familiar state, another tendency is to explore new world. Always these two different tendencies are streaming in our whole self.
Our life always try to envent new possibility to live. Listen to the voice of life. Ask to your life 'What do you want to do?'
Through the unpleasant feeling, someday we will find what the life try to explore a new possibility.

3. Becoming

Try to become both side of edge.
Find a partner, and try to become one side tendency of edge.
Give the unplesant feeling to your partner. if you feel an unpleasant plessure
at your chest, try to press your partner's chest with giving the same feeling.
Next the partner gives the same pressure to you. Taste the blocked feeling from both side of edge. You may notice what is happening slowly.

4. Dancing the edge

You need to wait the timing until you are ready to grasp what is the edge.
When you feel the timing has come, try to dance the edge.
One possibility is to dance it from your side, another possibility is to dance edge's side. Or you cantry to dance it from both side of edge.
Once you become your side and dance it, next try to dance from the opposite side of edge. For example if you afraid the unpleasant feeling, try to escape from it, and next, become the pursuer, try to run after you as the pursuer. Through the experience from both side of edge, you can grasp the whole. You may success to become a friend with both tendencies.

In my life history, I was tormented by a memory of my dead friends who have died in the activities against the Vietnam war between USA and Vietnamese people during 1960's to 1970's.
I was an organizer of the anti-war movement, I agitated people to fight against the Japan gaverment which supported the US army, and many intimate friends were killed in the movement.
'Why couldn't I die? Why did my friends have to die instead?'
I was worried by nightmare of them, many time my dead friends appeared in my dreams .It was the biggest edge for me. I could not escape from the nightmare for a long years. Then finally I started to dance them. I became my dead friend and dance. No, it is not true. Exactly, I just gave my body to my dead friends. My friends danced with using my body. We continued the dance for many years at the various places on the planet. . Finally I could release from the nightmare.
It was ten years before when I started to dance the edge unconsciously.
After several years, I learned the way of 'Edge work' from Aenord Mindell who originated 'the process orien tated psychology'. I found that it helps us a lot to be released from our deep blocks. I could develope the edge work in the subbody butoh method. I appriciate Arnord Mindell.


Edge work 2

    

Become a friend with edge

This is the second stage of edge work. About the first stage, see “Edge work” of Practice Guide.

When we enter subbody world and continue to travel various states, we often encounter edges which we are bound by an unpleasant body feeling or strange emotion.
We fall into confusion and we feel that we cannot proceed anymore.
If we meet these edges or blocked feeling, we have several behaviors ; as the following.

1.    Recognition

Just recognize it.  “Oh, you are there.”  

2.    Keep a safe distance

Until when you are ready to face it, keep a proper distance which you are not attacked by it. When you are going to be bound by it, release your self by brerahting, swaying, walking, moving, and change your condition from bound mode to released mode. Be carefull of the sudden attack! Find the safe distance. But don’t forget it.

3.    Listening

Continue to listen to the edge.  Ask the edge, “Who are you?”, “Where are you from?”, “What do you want to tell me?”

4.    Becoming

When you feel that you are ready to face it, become the edge. For this process, you need a partner. Give the edge feeling which you feel to your partners body. If you feel that you are pressed with specific feeling, give the same pressure to your partner.  Try to feel the edge, “What is this?”  You may notice what is the edge, with becoming the edge. And ask to your partner, “Please press me with the same pressure which you received.”  Taste the feeling which you are pressed from your partner. You can experience the edge from the both side. Through the experience, slowly you may notice what the edge wants to tell you.   After this is the second stage of edge work.

5.    Dance the edge

If you want to try to know more about the edge, dance the edge from both sides. At first dance the process that you are attacked by the edge. And next, dance the edge with becoming the edge which is attacking you. You will be aware of what the edge is going to tell you. It must be a wonderful awareness, because finally you can contact the important message from your life.  

6.    Become a friend

If you want to be a midwife of subbody, try to become a friend with your edges. I know that the feeling of the edge is so terrible, your first response must be the escape from it, it is natural. But when you continue to contact with the edges many times, you find that the message from the life is always bitter. When we endure the painful unpleasant feeling, we can receive the important message from the life.  I recommend you to become a friend strongly.

7.    Become a universal resonator

Because when we become a friend with the edges, we can notice that the edges are resonating with the others edge feeling. When we are familiar with the barrier for a weakest subbody within the darkness of our body. We can resonate with every kinds of edges as the handicapped people feel, weakened people feel, the dead people feel, and all kinds of unhappiness in the world. Only through the resonance by edge feeling, we can become a resonator in the world. It is one of the noblest ways of life in the world, don’t you feel so?            

Learn more the edge work from Mindell
 The Ten bodies
4 Bottom body
 

The secret of the Bottom body

The bottom body was a deep question for me for long time. I have become it so often for many years, but I couldn't understand what it is. It was just an opaque question.

But, slowly the secret of bottom body is going to be unfolded. 

During the second week of 2011 for five days we continued to research the bottom body from different aspects.

Almost students found their own unique bottom bodies. Some of them met the first bottom and second bottom body.  Transformation among them was so rich and deep taste.

Then I found that until this year we did only one or two day for researching bottom body.  This was my biggest mistake. It was too short. It need for one week or more to meet the bottom.  I realized so.

 

I did not recognized the real importance of the bottom body until last year.

I felt that the bottom body is special thing only for me, than I could not guide students so much strongly toward the bottom body.

But, during last year we research Hijikata's last butoh score "Quiet House" , and could create various practice methods.

This experience gave me a strong confidence what I am not alone.

I found the boxed body for Hijikata is the same as the bottom body.

And also Ohno kazua had various bottom bodies.

The bottom is one of the importance for transformation.

In the Greece and Roman myth, the Mercury who is a symbol of transformation is put into a bottle. Also this is a kind of bottom body.

In the Aradin's magic lamp of Arabian night, also a giant is folded in the lamp or vase.

 

These smallest spaces were a base camps of transformers in various culture.

Now finally, I understand that the bottom body is an universal necessity for transformation.        

At first the subbody method was born independently from Hijikata. But, through these processes the subbody method and Hijikata's method resonated and are going to become oneness.

The resonance brought it.

 
 

Crick on the picture to see Slideshow with captions
8 December, 2010

Archetype of the Bottom body


Subbody school 2010 is over.
At the moment, my subbody starts to integrate all experiences of this year through whole night.
He gave me so many new awarenesses.
Awareness comes up always to find a hidden connection between issues which I regarded two different things.
One of them is finding an unification of the tenbodies and the archetypes. They are resonating in the collective unconscious realm.

I didn't know what is the bottom body. I have just continued to become my bottom body. It brought me a special somatic feeling as a mystery. I suggested to find own bottom to students. Some of them didn't meet it. But a few students met it and created unique subbody. Their dance has changed completely and deepened by finding own bottom. What did happen?

About this, I will continue to deepen it.


Boxed bodies

21 October. 2010

Boxed body of Hijikata

In Hijikata's butoh body, there is a boxed body.
But, it was mystery for me for long time.
Finnaly, the question was solved.

Now we are studying of Hijikata's last butoh score for "The Quiet house".

At first we tryed to disifer it. The text is so difficult and strange Japanese. Even for me it took for over ten years to read and understand. Now we are translate it into basic English. Because most of readers are non English speakers. It is so hard to translate the most myster.ious Japanese text into one thousand vocabrary of the basic English.
But now we have finished it, and proceed to the second stage to read it by body.
This body reading is the most imporatant process. Everyday we read and resonate by body.
Through this process, we could meet many new awarenesses.
One of them is the connection between Hijikata's boxed body and bottom body.
We can find many variations of boxed body in the text.

A mad king was put in the box

A bird which becomes a box


Small box of joints--Hans Bellmer--Samurai commander--Princess--tiger

The queen will be put in a box of joints


When I tasted these boxed body by my body, suddenly I noticed "Oh! This is totally the same as the bottom body!"
During I read by only head, I couldn't notice at all, but through the body reading, body felt the same qualia of the both.
That's why the body reading is so important.




 Bottom of Ohno kazuo
31 October, 2010

Bottom of Kazuo Ohno

I collected bottom shapes of Kazuo Ohno.
Only dynamic standing pose is spread to the world as if Ohno's trade mark.
I worryed about it. It guides people to a big misunderstanding about his butoh.
Ohno's butoh was distorted by those great pose of his pictures.
Photographers used to shoot the timing of his standing and spread his big hands to the sky
.
In spite of that it is merely the final pose of his butoh, camera men aimed to shoot the great final pose. Because it is felt as the beauty for their eyes.
But their eyes are warped by modern daily sense of beauty.
Photographers who shoot only his great pose, distort his life of butoh completely. And the sad thing, many Western butoh dancers are inflenced by 'the fake of Ohno's butoh style', and it spreaded to the world.
For long long years I worryed about it.

It is one of the flower of his butoh, all right. He looked even being happy. But flower is not made of by flower itself.
Flower becomes the flower suported by the secret and the mystery.
Ohno's real dance was wandering the dark world below the knee, he faced to the edge of death, listen to the other world, full of the secrets and mysteries of life there. And he found the timing to bloom the flower.
Without facing to the mystery, the butoh turns to the fake dance.
Most of photographers seem not to see his secret and mystery.
Yoshito Ohno, his son said "Kazuo had another world under the knee. It was another cosmos for him. ' The world of under the knee was very important for him.In case of modern dance, the tendency to orient upper direction against the Gravity is strong. But, for kazuo, in the opposite. When he felt something under world, he just fall down. The speed is terrible. In a moment he was fallen."
(" Ohno kazuo; daily food for Spirit", 1999, Japan)

I collected Ohno's photos of the opposite pose against the great pose of his butoh.
It was hard, because too rare to find.
Fortunately in the works of Naoya Ikegami, I could find a few photos.
I deeply apriciate Naoya's important works. It may be usefull to save the worldwide misunderstanding about Kazuo's butoh.
Please taste them by your life., with stopping your dayly sense of the beauty.
We need to take off all conditions of human. And ask your life, please.

"What is the real Flower of his butoh?"
"What is the Secret of his butoh?"
"What is the Mystery for his butoh?"

All of Secrets and Mysteries are invisible.
Only when you stop your daily mind, it will be able to resonate with for your life.
You must find the deepest rich Flowers of Kazuo's butoh in his bottom bodies.




25 March, 2011
 

Dance from the Bottom

 

Dance from the bottom of being, this is the bottom body.

What is the bottom body?

It is the most pressed subbody from the world into the minimum size.
It was not allowed to live in the daily world.
It was hidden at the bottom part of the darkness of body for long years.

When we become the bottom, it is so uncomfortable, but familiar at the same time.  It is the paradox of the bottom body. 

It is the bottom of the being for us.
We start an experiment to create the deepest butoh dance in the world from here as life which subbody and cobody become oneness.
We will sink down into where nobody knows, what nobody has been experienced yet.


 

 

25 September. 2010

Dancing from the bottom

The darkness of body is infinite, actually, there is neither bottom nor top.
The bottom body is just a means to dance from the depth.

Try to find the smallest and weakest shape of body.
For the time being, we call it "Bottom body".
Maybe it is the most warped body, or the most pressed body.

Anyway try to find it.
This is a working hypothesis to search the deep dance.
It is worth to search, at least you can avoid the sharrow surface dance by dance from the bottom.
Though it is hard to move with the bottom physically, because it is the minimum size of body. You may meet various edge qualia which is not confortable.
But also they are worth to taste.

 

20 October. 2010

Break the bottom of bottom body

The darkness of body is infinite vast.

There is niether bottom nor top.

The bottom of "Bottom body" is just temoporary.

The bottom of my bottom body was broken last week.

 

When Ikuko guide her class, she wrote the following on the white board.

 

"Find the most

 

   small body

   uncomfortable body

   warped body

   hate body

   dirty body

 

Try various shape!

Finally choose one!"

 

I used to guide to search "the smallest, the most warped, and uncomfortable shape" for bottom body.

But, "the most hate" and "the most dirty" is freash for me.

 

I noticed that it was my blind point to look inside.

 

I searched the most hate and the most dirty body. I met small ego of my subbodies.

I hate it, and I tried to dance it. Then new bottom bodies came out one after another.

 

It was so hard for me. Because the ego was connected to all experiences of the falure of love.

But I danced it, because I noticed to dance it is necessary for me.

I could meet the new bottom body after twelve years absence.



 World Life Resonance 2014
Netherlands
 

Kasuka, Kristien and cobody


Fringe Festival Amsterdam

Comme il faut!
September 6 - September 14
Sep 6 at 2:00pm to Sep 14 at 5:00pm

Cutting Edge
Subbody butoh by Kasia Żejmo
Side effect of this work is.. I am totally in
love with every cell of this world!

Provinciehuis
Kristien



School Journal
 

Arka



If It Be Now
Fragments and Impressions of Hamlet


An unique dancer, Arka from Calcutta visited school
and performed his piece. He integrated Ancient Indian
movement, dance and Grotowski method in his own
way. He also performed it at Quiet House in Delhi,
and left strong impressions.
He is willing to join in the India Rhizoming Tour 2014-15.
He will organize workshop and collaboration with
various artist in Calcutta in the end of December, 2014.
Slowly flexible networks among various artists of India
is growing. It would be the best timing now.


School Journal
Poland Workshop 2014
 
12 September, 2014

'In a Stone hole' Katherine ---Mini Subbody Festival in Poland


Katherine(UK)'s grandmother is from Poland, and she visits Poland first time.
She always walked around her ancester's land and tried to landing to the earth.
On the last day she found a big stone hole in the mountain and started dancing in the hole. Sha put the ash and charcoal of trees in the forest to the body, and kneading the flour in the hole, slapping, piercing, and painted it on the face, she tried for grounding with earth. At the last moment, a big cry and dance has welled from the body to resonate with the ancestral land.



Read more "School Journal"

 
10 September, 2014

'Solo' Santeri ---Mini Subbody Festival in Poland


Santeri is second year of subbody experience. It is growing up each time when I met him. This time, his subbody grew up in subtle dance of detail part, and jumping wild a lot.
To see the continuos growth of subbody was big pleasure for me.
Subbody butoh is growing and deepening like this.
Santeri keep deepning!


Read more "School Journal"

Sinking into darkness of the body
7 September, 2014

"What is Butoh?"
---A narrow definition to poor, and deep definition to enrich

Some participants of Poland workshop asked me , "What is Butoh?"
I replied "There are two kinds of definition. One is a narrow definition to poor, another is deep definition to enrich. Narrow definition limits the butoh, another definition is to open butoh into infinite potentiality of creativity of Life.
Before, also I was bound by the narrow definition as "Butoh is the corpse(=dead body) that tries to stand desperately."
Also I have tried as the following ten years before;

"What is butoh?

I have found three essential components of Hijikata's Butoh:

1.  To abandon all conditions as a human, and to transform into a "Suijakutai (Weakened body or Collapsed body)" which resonates with spirits of the dead, insane, handicapped, and collapsed.

2.  To enter dimensions other than that of the human world, and to become a survivor of another world.

3.  To look at the living world as a dead spirit from another world. (We call this the "Near life" body, which has the opposite position as that of "Near Death."
(The Butoh 1st chapter)

You can see the struggle in the article of "The Butoh 1st chapter".

These might be true for a specific period of butoh, but narrow truth that binds butoh in the limited activity that Hijikata and Ohno tried in a specific time. If you research the history of butoh, you can notice that it was infinite experiments to try diverse possibilities of beauty.


From the resistance against modern dance and ballet, Avant-garde, the rebellion against the values ​​of the modern society(1960'),

As the peak of it, the agressive butoh in the "Revolt of body" (1968),

Invention of the weakened body (1970'),

Infinite investigation in the unexplored 'Butoh of Life' in the "Sick Dancing Princess"( 1976-86).

When we research the whole life of them, we can find that butoh is the continuation of infinite quest of novel beauty. So, in one word he just tried to create novel beauty in what people does not regard as the beauty.
This is the deeper definition of butoh. It can open butoh into bottomless creativity of Life. It makes butoh richer and deeper by opening unknown possibility of Life.

When I was young, was bound by only the narrow definitions of weakened butoh and denied the other styles of butoh. Young Lee had to be an arrogant boy that thought to know well about Life and Universe, but in fact it is just an illusion of Ego. We don't know about the infinite Abyss of Life and Universe at all.
Ego has to learn the humility to the Life. It takes time. It need long long journey into the Abyss of Life to get the humility and notice the necessity to take off the Ego.

So, now we can follow the richer and deeper definition of butoh as the following;

Butoh is an infinite activity to invent a novel beauty in what nobody notices as the beauty.


It is to bring us an infinite freedom, a bottomless freedom with vague fears, isn't it?




Read more "Sinking into the darkness"


School Journal
Poland Workshop 2014
 
7 September, 2014

'Solo' Ola ---Mini Subbody Festival in Poland


It became a mini subbody festival on the last two days of Poland workshop.
During four weeks work, we tried to open only Proto body, Hidden body Bottom body in Ten-bodies and just various resonance patterns among subbody=cobody and behind world.
I didn't guide the Hijikata Butoh method and technique so much.
But the last performances bloomed extreme diversities of creation.

I noticed that I might bind hte potential diversity of the criativity of Life by consisting to guide to the Hijikata method in the Subbody School.
About this, please read an article below, "A narrow definition to poor, deep definition to enrich" of "Sinking into the darkness'..



Read more "School Journal"

 World Life Resonance 2014
Sinking into darkness of the body
 
31 August, 2014

Yamazaki, Reborn! 2


In Poland, my old friend, Yamazaki Hiroaki in my subbody woke up suddenly.
He used my body and danced three times, at first in the pond of the stone pit, the second time in the rocky mountain, the third time in the darkness of old house. This is the second one in a rocky hill.

”Yamazaki, wake up!
Yamazaki, reborn!"

I hit a rock by stone, but in fact it is not me, but Yamazaki hit us. I felt that Yamazaki is hitting our bodies that were frozen as a rock to get awakening.

October 8, 1967, while shouting to stop the Vietnam War, Yamazaki stopped his breath near the Haneda International Air port, is trying to reborn.
The 50 death anniversary of 2017, old friends are trying to built a monument of Yamazaki near Haneda, Tokyo.
I will repeat this dance many times over two years up to that time, in different places, in India, Europe, America, and Asia and this dance will grow up to a long piece.

Subbbody Resonance Butoh School 2017 Autumn semester will be held in Japan, rather than Himalaya.
I want to expand the Nomad Rhizome tour in Japan during September, October, and November, 2017.
Some students are willig to join in the tour already.
It's the return to Japan after twenty years away for me.
All friends in the world!
I would like to ask you to assist it in various ways.
We hope to dance at the main ceremony of the Yamazaki's monument on 8th October, 2017 near Haneda, Tokyo, and the other places, Osaka, Kobe, Kyoto and some other places.
We want to open a workshop to become subbody=cobody beyond the distinction between self and others.
I hope you to support the cost for travall and living expenses of about ten dancers.
We want to bring a new way of life to become Rhizome not bound by ego and self.


Read more "Sinking into the darkness"


Sinking into darkness of the body
 
 
22 August, 2014

Yamazaki, Reborn!


This year is 48th anniversary of the death of Horoaki Yamazaki.
October 8, 1967, in the Anti-Vietnam War movement, Ymazaki died with shouting "Stop war! Stop Vietnam War!" on the Benten bridge near the Haneda international airport.
Now, Yamazaki is trying to reborn.
At The 50 death anniversary of the year after next, old friends are trying to build a monument of Yamazaki., October 8th, 2017
During the workshop of Poland, we visited a old stone pit, and I encountered a big rock stood in the middle of the pond.
I felt "This must be Yamazaki stone!"
Though I have stopped dancing and been devoted to be a midwife for these 15 years, suddenly my subbody started dancing with Yamazaki.
Subbody started moving for the first time in 15 years.
"Yamazaki, Wake up!
Yamazaki, Reborn!"
I kept beating the rock by stones.
And strangely happened while continuing to beat,
 Who is Hitting it not me, but Yamazaki hit my frozen body.
Then, not only Yamazai, but, Toshiaki Tuji, Kenji Hashimoto , Santiago Sempere, My dead mother, woke up and began dancing with using my body at once.
Also small creature in the Pacific Ocean that is suffering by the radioactivity leaking from the nuclear power plant in Fukushima.
Their malformed and disabled bodies danced together.
A participant of the Poland workshop, Aga resonated dancing with us.
She cried as my dead mother who continued cring as the death of yamazaki.
The subbody will continue to dance, and the subbody=cobody that spread to the World would resonate together.
Until the dance in October 2017, in Japan, we will continue to dance at various places and time.

Even after this, my many subbody = cobody that had been sleeping in the darkness of the body for many years awake.
During the workshop of Poland, some sobodies begun to dance in the river, in the mountains, and in the old Polish house.
Over two years from now, this subbody-cobody will grow in different location; India, Europe, the United States, Asia and so on.
In the Autumn semester 2017, Subbody Resonance Butoh School will away from the Himalayas, and we are going to expand the Nomad Rhizome tour in Japan in September, and October, 2017.
  All subbody-cobody around the world!
Why don't you dance together in Japan, in the autumn, 2017?
  Our steps shall continue until the subbody-cobody Rhizome will grow up to Multitude.




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 World Life Resonance 2014

2014- 2015 Winter
India Rhizoming Tour
Himalaya - Delhi - Assam - Manipur - Auroville - Pune - Munbai
Workshop and Collaboration performance

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Photos
of the month
 World Life Resonance Festival 2014
 
 
Kasuka, Kristien and cobody, Amsterdam
 
'If It Be Now' Arka
 
In the Stone hole' Katherine
 
'Solo' Santeri
 
Dance with a Door frame Jordi
 
'Solo' Ola
 
Kasuka and Kristien
 
Yamazaki, Reborn! 2
 

Syv in Mumbai
 
Sink into each depth in the Poland rock mountain
 
Back to the wild in the Polish woods
 
Yamazaki, Reborn!
Lee and Aga
 
"They never cease" Syv
 
'A Fetus's Dream' Bo
 
'The Dead Palestinian Boy' Aleph Null
 
 Kan Flower
Tatsumi Hijikata
 
Yamazaki, Sleep in Peace!
 
Hurt and Form
Photo Archive
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Videos
of the month

 
 

Kasuka by Kasia Zejmo from

 

Kristien Sonnevijlle solo from .

 
""Yamazaki, Reborn!"
Aga and Lee
 
Rebirth of Butoh baby' Honza, Jordi, Aga
 
'The Dead Palestinian Boy' Aleph Null

 
Butoh Performance Aleph Null
 
Uprooting the Aboriginals
 

KNRiKRT [URBAN_BUTOH PROJECT] fr

 

KNRiKRT [URBAN_BUTOH PROJECT] jordi

 
"Surrender to Nature" Gio and Cobody
 
'Sugar Death, Hell Birth' Robert

 
The Edge by Kaska and Jordi
 
Shadows of the delta
Santeri
 
Fallen from Grace Odile

A Girl Hijikata Tatsumi
 
Video Archive
After 2011
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subbodybutohschool

Before 2010
http://www.dailymotion.
com/user/rhizomelee/1


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