Sinking into darkness of the body
 8 November 2018

Non-dual Qualia Share

In the 2nd week of November 2018, we did the <Non-Dual Qualia Share>.
We stopped the thinking and became one-celled Life.
Life is resonating with non-dual Qualia which we cannot distinguish them what it is.
In the Life Resonance Qualia, body sensation and movement is oneness =non dual. Visual, audio, taste, smell and touching channel is oneness=non dual. Emotion, relationship, world=self image, and thinking is oneness=non dual.
Our Life resonates with present physical Qualia; gravity, sunshine, air, temperature, moisture, smell, sound, d not only these physical outer Qualia, Life resonate with inner memory Qualia of those for 4 billion years. Inner Qualia and outer Qualia resonate double as the non-dual and multi-dimensional realm.
We remember the most impressive non-dual Qualia in each life, in the nightmare, illusion, or real experience, most difficult Qualia to resonate well.
We share it with movement and words and co-created the world together.
Through this, most of the co-researchers got some different cobody scenes and solos, too.
Next week, we will integrate all of these cobody and subbody pieces into a long masterpiece for each.
This semester we could proceed with the creation process so smoothly than ever.
The findings of various sharing methods helped it.

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Saido-fuu of Zeami bu
Weakened body of Hijikata 
November 8, 2018

Break down your body into the cell size!

Some co-researchers are still caught in the emotional expression that is still overacting.
This is a habit, so the midwife must find the best timing and point it out somewhere.
Overacting expressions are those of everyday life and are commonly used in the normal theater.
It is not creation.
Creation of Butoh is not repeating the daily body but invents a novel form that travels from Life to Life.
By prohibiting exaggerated emotional expression as seen in theater and movies, for the first time the invention is inevitably pushed out.

To the fine shivering body!

How do you devise a novel Butoh dance that changes to it?
One possibility is to break down the body dance into a fine size infinitely.
We inhibit all the human size expression, and by crushing finely into cell size, shivering and frightening, the possibility of Life Resonance transmitted from the Life to Life is born.
This "Fine shivering body" is one of the breakthroughs in < Kyu part> kept investigating in Zeami and Hijikata secretly in recent years.
There is a hidden synchronicity among them. Also, I have met my necessity to inhibit the aggressive expression. After long years ferment, this cell's shivering technique is coming out.
Let's try it on the possibility now.
To transform it into only one secret in the world.

This is the conclusion of the investigation in that Zeami of the later years reached to prohibit Rikidou-style and focused on the Saidou-style that is the fine shivering. And my listening to my body has met the same invention. This is also synchronized with the change of Hijikata from the Ankoku butoh of his young age to the weakened body of later years. Behind this, there would be hidden a universal issue about the Beauty of Life Resonance Butoh.

Jo-Ha-kyu of vibration

We can integrate all vibration techniques as the following.

Ash body -very subtle vibrations
Clouding body -wear the Qualia cloud and the forgotten Qualia will moves you in the diverse sizes of vibration and swaying.
Fine shivering body -Break own your body into cell size, with rapid rhythm and increasing the intensity. Become the fine and hard shivering body.
Try to use this technique instead of the overacting movement. We can approach one more step toward the Butoh of Life.

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November 2, 2018

Jo-Ha-Kyu Life Resonance technique

Jo-Ha-Kyu is Life Resonance technique with the audience. How can we involve them into own Butoh world?
Through the flower, through the secret, through the mystery Life is interest in, curious of and involved into your world.
Dance your <Peacock Qualia> that your Life resonate deeply, impressed surprisingly in each part of Jo-Ha-Kyu.

Jo: Invent a novel beginning

How can you appear in a novel way?
How can you share the fresh surprise with the people?
Take your time to involve people into your dancing world.

Ha: Break the former world

You are still lack of change, lack of breaking the former world, need to leap to the opposite world, to unfold the unexpected world.

Change the density!
Change the gender!
Change the speed, tempo, rhythm!
Change the levels!
Change the moving line!
Transform to opposite being!
-from plant to animal
-from fluid to solid
-from stone to air
-from creature to Kugutsu
-from big size to the bottom
-Jump wildly among your ten bodies

Break the former world by unexpected change!
Use <Tame> technique. Wait for the best timing and spacing enough before your especial important movement.

Kyu: Dance all subbody=cobodies in the condensed time-space

Dance all the subbody=cobodies in a short time.
Increase the tempo, condense the changes to the ending.
Involve the audience into the Kyu world untill we become one.
Carry the intensity to the maximum and end.
Or completely opposite;
Reduce everything till nothingness.

Ka-Hi-Mei (Flower-Secret-Mystery)

The flower is in the unexpected surprise, in the novel impression, in the leaping to the unknown world, in the unfolding a mysterious realm which has never experienced.
It occurs through the resonance with your secret and mystery.
Invent them in diverse ways from beginning to the end.
See transparently how your Qualia resonate with the audience’s Life.
Through all of them we can complete the Jo-Ha-Kyu of Life Resonance.

We are co-creating the Butoh of Life which transmits from Life to Life.

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 “Woman of the flames
Silver needle people
Dress of smoke.”

Costume en Face, Hijikata butoh-fu — with Rhizome Lee.

 30 Octobet 2018

Take off your sexuality

While I was the forties, I always dance with woman's dress
and became half woman, half man, transgender body,
toward the n'th sex.

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 26 Octobet 2018

Challenge of November:

Polish up the Butoh

Two months of September, October have passed like a storm.

We shifted from the Tree-like hierarchical order of old subbody method to Rhizome.

We could realize a novel creative field through the new methods of Resonant yoga, Resonant bodywork, Resonant research, Dreaming share, Cobody share and so on.

We are going to complete the novel creative method if the Resonant Rhizome that we co-create our butoh in subbody=cobody state before the differentiation of self and others.

However, there are still a lot of challenges left before the creation is completed.

What issues are we facing in November?


Quest for the inevitable dance for each

Listening to your Life, not only to your self, "Why do I need to dance?"

Solve your issues by converting it into dancing. However, we take a safe distance against the problem that we are not ready for now.

"What do you want to realize?" Listen to the wishes of your Life,
and continue to carry the secret.


Deepen the resonance technique with audiences

Continue to watch the Life resonance with the audience at all times by the distant eyes.


Become a body full of unexpected surprise

Be aware of how your movements are received by the audience from start to finish.

Betray the expectations of the audience at all times.

The surprising part moves in an unexpected direction, with an unexpected rhythm.

It will be in a shape that the audience has never seen.

Develop with unexpected Jo-Ha-Kyu.


In Life resonance, unexpectedness becomes an element of beauty

Life knows best what is the flower for Life.

Remember the moment when Life was moved by the unexpected happening.


Carrying Density

Becomes the different density of body other than the human body. And transform infinitely into all beings of the universe.


Being moved

Always you are moved by someone. Reduce your will of the human.


Jumping wild

Leap to another dimension that cannot be predicted always.


Perfect the Jo-ha-Kyu

Dancing in which the Jo-Ha-Kyu is not accomplished impairs the resonance of Life.

Dance which is transmitted from Life to Life is realized through the fulfilling of the Jo-Ha-Kyu.


 Each butoh should be totally unique and different.
We will expand the possibility and diversity of Life.




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A Girl Tatsumi Hijikata Quiet House 0 | Video commentary
by Rhizome Lee 
Red God Quiet House 1 | Rhizome Lee Video Lecture 
Essencial Techniques Quiet House 2 | Rhizome Lee Video Lecture 
Reduction by X and Regenration - Quiet House 3 
Entering the subconscious -Quiet House 4 | Rhizome Lee video lecture 
Blood of Dance Quiet House 5 | Rhizome Lee Video Lecture 
Quiet House 6 Infinite Segmentation | Rhizome Lee Video Lecture 
How to meet your Necessary Butoh | Subbody Method Video Lecture | Rhizome Lee 
 Essence of Subbody Method Rhizome Lee
 26 Octobet 2018

Becoming Life

I decided to graduate from myself on my 70th birthday.
It is no longer an important matter whether one is oneself or not. Important thing is what is to do as a Life
I want to take off myself and quest the way to become Life desperately.
A way to incarnate into a transparent Rhizome of Life.

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 20 Octobet 2018

Rhizoming way of Co-creation

7 weeks of experiments for Rhizoming co-creation have passed.
All experiments were the first trials for us.
Till now we could found some essential points to break through the issues to solve for the co-research.
We succeed to co-create a Rhizome like theater on Friday that all performances connect as if one large creature. But, still, we have many issues to overcome.
Only five weeks remain toward the next Festival, the largest chance to integrate all co-research.
We need to be ONE to break through the walls as subbody=cobody. Everybody should challenge it desperately. In the case of one person might miss, the whole attempt will fail because all of these are the resonance technique to share by all to co-create a total festival together.

Issues of co-research to be faced for the time being

The issues of co-research are the following;

1. Carry your Secret

Everybody investigate in your necessity of creation deeper and carry the Secret throughout the whole co-creation process.

2. Jo-Ha-Kyu co-creation

Jo-Ha-Kyu is resonance method to find the best resonance pattern between dancers and the public.
Invent unique <Jo-ha-Kyu> to deepen the Flower, Secret, and Mystery. Use the <Tame> technique for the Peacock flower.

3. Carry the density

Change the speed, timing, density, dancing places with taking off the daily human body and transform infinitely.

4. Jumping wildly with co-creating the dynamic change between Rhizome and Tree

To find the timing from random resonance to the same resonance pattern is essential to co-create novel Jo-Ha-Kyu. Find the diverse MA of peacock moments to surprise the Life. Co-create the dynamic change from random Rhizome to novel Tree formations appear, and the reverse (Tree to Rhizome), too.
Not stuck by your thinking is important.

5. Become an expert of sharing Qualia

Learn how to get the best MA (timing and spacing) in the practical movement.
Invent the best MA (timing and spacing) in both of to bring others and follow others.
We tried various ways to share each own Qualia, through words, voices, spontaneous resonant movement through opening Hidden skins (skin eyes, skin ears). In each moment find the best method to co-create the MA of dynamic change to realize a miracle.
Overcome the narrow subjective action and open transparent resonance.
If you find the best MA and Qualia to change the world, ask your Life "How can I bring others into the co-creation." and dive into it immediately.

6. Investigate in the flower of Kan (Disability)

Find the ugliest Qualia of Kan that your Life couldn't resonate well. And invent the best MA of Jo-Ha-Kyu to change it to a novel Beauty of the Life Resonance. How can we transmit it from Life to Life?

Let's become Life!
Become Rhizome!
Become a Secret!

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 19 Octobet 2018

The Blood of Dance

Chapter 16 is one of the most important parts of "Quiet House".

16. The difficulty of changing place
The body is a dancing place. A dancing place of the hand, a dancing place of the hip, a dancing place of behind the elbow, and so on.
The depth of this dancing place is formed by overcoming the deep memories (and Qualia) that were caught in each dancing place and reverse twisting them.
For example, suppose there is a house of Mr. Yanagida, and I discover that it is a very precious thing that there is a peacock in Mr. Yanagida’s yard.
And the place called “Can Factory” is narrated by the powder that was dear to me.
They become the blood of the dance.

Change the dancing place always!

Changing the dancing place is so difficult, even for Hijikata, that's why he wrote this note for himself.
Why is it difficult?
Because to stop thinking is difficult. Always we are bound by an idea; “I will dance this!” and trapped by that narrow thinking.
We need to shift thinking mode to listening mode at every moment to let remember the forgotten Life memories of the cell.

Remember the Peacock for your Life

Then Hijikata wrote to let remember the
Peacock moment of Life.
Remember the moment when your Life was moved by fresh surprise. Remember the moment when something was changed out of your awareness. Remember the first surprise when you were a fetus, the moment that the womb starts shrinking.

Proto Jo-Ha-Kyu of Life

Remember the first Jo-Ha-Kyu of Life.
Jo: You were floating in the comfortable sway of the proto ocean of amnio fluid.
Ha1: You notice that something is wrong, but not sure. And suddenly you notice what your world is shrinking!
Ha2: You surprise and shout. “Stop it! Stop it!” But, the womb never stop. You try to search the exit, but could not find it. You become panic!
Ha3: Finally you get angry as a creature. “If you kill me, I will destroy this world!” And try to search the exit desperately, and finally, find it. You insert your head to the very narrow exit with twisting the head and spiraling the body.
Kyu: Your body passed the narrow vagina without breath. You are on the edge between death and life. And finally passing through!
Congratulations! You are born as a baby!
This is the proto Jo-Ha-Kyu that everyone has experienced at the beginning of individual life.
Stop thinking and remember Life memory. Life knows well of the Jo-Ha-Kyu experience that the Life was moved strongly, though your head always forgets it.

Special medimotion

How can we bring the blood of dance into our butoh piece?
By reminding the body of something we can not remember.
By crystallizing the Secret of Life.

Special medimotion is necessary for it.

Change your body position from daily normal position to abnormal position and move each part of the body in unusual ways. Let your body free that any momentary movements come out spontaneously.
The forgotten memories come out not through the brain, but through the spontaneous movement from the body.

Try the diverse ways

He integrated all of the transformation methods in the "Quiet House" and became subbody=cobody through the diverse ways;
through reducing modern thinking,
through becoming the Animism mind,
through becoming the shadow of mind (subconscious),
through becoming bugs fear, birds fear (Prototype response as Life),
through the proto dream,
through becoming various altered conscious states; dizziness, shivering and swaying shadow, etc.

We will investigate in this pass in rich diversity between daily mode and subbody=cobody mode in safe ways.
Because to have many entrances and exits is characteristic of Rhizome. Subbody=cobody is real Rhizome that connects freely and separates flexibly.

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 Entering the subconscious -Quiet House 4
 16 Octobet 2018

Unification of subbody Butoh and Hijikata Butoh

We investigated in this in various ways for twenty years in Himalaya and finally reached to the understanding that also Hijikata tried so many ways to be subconscious body mode.
We could find it in His last solo butou-fu “Quiet House” and “Sick Dancing Princess”, too.
Though it took for twenty years, finally subbody method and Hijikata method was unified as ONE.
At first, I found that subtle sway or vibration is useful to stop daily thinking and become subconscious mode.
The second finding is that in the subconscious mode, the order between body and subconscious mind disappears and become one. Then I named it, “Subbody”.
Also, the border between individual subbody and resonating subbodies become one, we named it, ”Cobody”.
In the beginning, we researched the subbody and cobody was the different one, but now we can understand the both is the same, then we understand that subbody=cobody as one.
How can we become the subbody mode?

We investigated in this in various ways for twenty years in Himalaya, and finally reached to the understanding that also Hijikata tried so many ways to be subconscious body mode.
We could find it in His last solo butou-fu “Quiet House” and “Sick Dancing Princess”, too.
Though it took for twenty years, finally the subbody method and Hijikata method was unified as ONE.

At first, I found that subtle sway, vibration, and moving stretch was useful to stop daily thinking and become subconscious mode.

The second finding is that in the subconscious mode, the border between body and subconscious mind disappears and become ONE. Then I named it, “subbody”.
Also, the border between individual subbody and resonating subbodies become ONE, we named it, ”cobody”.
In the beginning, we regarded that the subbody and cobody were the different things, but now we can understand the both is the same, then we understand that subbody=cobody as ONE.

Today,I want to share this three "ONE" (=unifications) with you.

Hijikata investigated in the way to become subconscious mode in many diverse ways, and integrated it in the Butoh-fu "Quiet House" as the following;

1. Red God

The subtitle of 1st chapter is "The Red God". This means we reduce modern intelligence that distinguishes everything into two by its dualism.

In the 1st sentences, he wrote, " A girl who plans an evil deed in the rain,"
This is his main motive of this solo dance, and at the same time, it means he will become ONE with his dead sister in the performance.
Hi investigated in Animism deeply and he wrote in an unpublished note;
“We need to sink down into the realm before differentiation of self and others.”

2. Become Shisha (dead)

2nd chapter is subtitled "Important".
It was a note to remember "Important" to himself. This Shisha was the world view of Animism that was familiar in his home town, Akita as he wrote in “Sick dancing Princess” later.
"Shisha transforms their shapes quietly and infinitely."
This Oneness was able only in the subbody=cobody mode.

3. “Ash Girl”

The 1st sentence is written as “Soul and Spirit”, and the last sentence is closed as “Matrializing”.
This means from beginning to end he reduce all modern intelligence and become Animistic “Soul and Spirit”.
In the other chapter, also he tried various ways to become subbody=cobody mode.

4. Vaporizing

Vaporizing technique was his novel invention to become ONE with his dead sister.

5. Something that was graped as a shadow of mind.

Shadow of mind means directly the subconscious body (subbody).

6. “Can Factory”

Can factory means his memory place that he was dear.
He entered into forgotten memories (subconscious memories) through it.

7. Dream of horse meat

Dream, especially, impressive proto dream is an entrance to the subconscious realm. Through dancing the dream he became subbody-cobody.

8. The morning after the storm has passed.

Even the dream has passed and he became materiarizing as “A samrai commander”, still his still body was a quiet state of subbody.

9. Behind Mirror
To go beyond the wall of light between the physical world and invisible behind the world, he used “Dizziness, shivering, and swaying illusion’s state of the subconscious.

10. Mescaline
Mescaline is a drug to bring us to an altered state of consciousness like LSD. Though we do not use them at all, because the Medimotion is easier and safer than the drugs.
Also, Hijikata knew well of that various Medimotions are effective to become subbody mode.

11. Chimera
In the subbody realm, every Qualia are resonating with other Qualia and create novel Qualia constantly. He followed the Qualia transformation process by the whole body.
16, The difficulty of changing place
He integrates all of the transformation methods here, and call the real Qualia through different ways to be subbody;
through reducing modern thinking,
through becoming the Animistic state,
through becoming the shadow of mind,
through becoming bugs fear, birds fear,
through the proto dream,
through prototype state; dizziness, shivering and swaying shadow.
Through becoming various altered conscious states, etc.
We will deepen more to investigate more diverse ways and safer methods to become subbody=cobody.
Because to have many entrances and exits is characteristic of Rhizome and Subbody=cobody is real Rhizome that connects freely and separates flexibly.

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Quiet House 3 Reduction by X and Regenration 
Too Female Zalina 
 9 Octobet 2018

<Hidden Body Share>

Yesterday, we researched own essence and shared it together. Today we do opposite research.

How to meet your Hidden body

Reduce your first personality, your self-identity.
Change conditions of some part of the body, shrink. Bend, collapse and so on.
Then another personality which is hidden in the darkness of the body will come out. Dance it.
You can use Hijikata’s transformation method <Reduction by X and regeneration> flexible.
X can be anything. You can reduce age, speed, size, healthy, flexibility, character, intelligence and so on.

It is your Hidden body, we exchange and share it each other.
Resonate with your friend’s hidden body with various resonance patterns; same or different resonance pattern.

Release from the bind of your family role

Take off your biological family role. Jump out from the parent territory as a daughter or son, and transform different role, mother’s father, father’s mother, and so on flexible.
Reduce your age, sexuality, gender, nationality, intelligence.
Become another being from your biological or cultural binds.

Amplify the strange relationship

Everybody transform to own Hidden bodies and exchange it each other. You can become your friend’s hidden body and open unexpected relationship with each other.
We become Rhizome which connects freely at any part of the body and separates flexible.

Hidden bodies could not resonate well with this modern human world and had to hide in the darkness of body for long years.
Let them appear in the new world and we co-create the <Hidden bodies Rhizome>.
It is big pleasure for your subbody=cobody! Isn’t it?

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 8 Octobet 2018

Ka-Hi-Mei (Flower-Secret-Mystery)

Dance your essence

Listen to your darkness of body, and find your essence that you are not yourself anymore without it.
Dance the essence in a short time, and confirm it what it is.

Carry the Secret

Continue to carry it as your secret throughout the dancing always.
No need to explain it to others, actually it is impossible to talk with others because it is not able to say by word. It is the subtlest Qualia but you cannot ignore.
We dance in the invisible mysterious world, carry your secret in the mystery.

Ka-Hi-Mei (Flower-Secret-Mystery) Resonance

Someday, a flower would be born from the resonance between the secret and mystery.
Try to invent many kinds of flower, small flowers, middle and big flowers, and some of them could be the Kan Flower (Flower of disability).
Kan Flower is the ultimate flower of Butoh of Life that resonate with from Life to Life.

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 Nomad Rhizome in the forest f
 5 Octobet 2018

Clouding body and "behind world"

Clouding (Obscuring) body technique is introduced in the beginning of "Sick Dancing Princess".

"Shrink and attentiveness of the old man who knew the uselessness body. I have learned the method of clouding the body through them."

The old man spreads the hidden skins and shrinks it, when it meets strange Qualia like the slime.

We dance it not only by solo, but also with cobody.
When the cobody is moved by invisible behind world like the swarm, the audience also has to move the watching place one after another.

It is the sharing the Medimotion effect with the audience, and they are involving into the invisible Life Resonance world.

By resonating with the invisible world, the audience is caught up in a wonder of Life Resonance with the behind world that the audience can not see.

The <Nomad Rhizome> and <Resonant Rhizome> is the technique to involve the audience into the invisible Life Resonance.
We will continue to polish it gh the year.

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 A Girl Tatsumi Hijikata
 4 Octobet 2018

How to meet your necessary Butoh

"A girl who plans an evel deed in the rain."

It was his fourties when Hijikata met his own unavoidable Butoh.
"A Girl" in the "Summer Storm" (1973) and "Quiet House"(1974) he danced his dead sister at last, and he could stop dancing any more.

How can we meet own reason to dance?
How is it possible to meet own necessity of creation?

In October course, we started to co-research it.
1st day, we danced own life in three minutes.
We asked Life why did I became "I"?

2nd day, Adam guided to dance two conflict Qualia in various ways.
We faced our inner entanglements. of Qulaia

3rd day, we danced ten or several issues for ten minutes.
We faced the inner multile Qualia Resonance.
It was so complicated entanglement, everybody faced it.

4th day, we went to forest, and danced each issues in the behind world, and co-create them with supporting each other. The weather of the mountain was easy to change, it was an eerie atmosphere that lightning is approaching. We danced with wearing all of them.  .

5th day, we integrate all research of the week and find each one's dancing freely. We ask Life: "What do you want most?"

This is what we learned from Hijikata to meet the Necessiy of creation.

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How can we become transparent? | Rhizome Lee 
 28 September 2018

What is Transparency?

Listen to inside 50%, outside 50%.
Keep this balance exactly to be transparent.
Transparency means not being bound by anything, not bound by internal elements and external elements, and we can become Transparent Life.
The word of inside and outside is tricky, it changes always depend on the focusing condition.

Subbody mode

For example, when you are subbody mode, inside means inner Qualia; feeling, emotion, desire, memory, imagination and so on, outside means present physical resonance with the environment.

Cobody mode

When we are cobody mode, outside becomes friend’s movement and inside becomes your self.

ubbody=cobody Theater

In the theater, outside becomes the audience, and inside becomes the dancers.

Performance is the training chance to open the Transparent Life Resonance to the world.
In the performance we are tend to be bound by the word of “Showing”. This word is bound by the daily dualistic illusion.
Daily mind=body is bound by the dualistic human illusion of <self and others>, separated inside and outside firmly, and we are bound by the pressure, “I have to show myself to outside.”
But, this word “show” is dualistic illusion, “I” show something.
In the real aspect of Life, there is just Life Resonance, in the resonance, there is no subject, no object. But, daily body is bound by the illusion of “I” as the subject, and regard the others as the object.
We need to take of all of these illusions to become the Transparent Life.

Not being bound by anything

Transparency means not being bound by anything.
It means not bound by yourself, not by the group and not by the audience and the world.

Steal the steps

Not bound by “I”, ego, self, all inner Qualia; feeling, emotion, desire and so on.
Zeami said, “Steal the steps”. When you do strong step or big movement, you steal the sound of steps. Then you can keep the transparent balance. When you want to shout, do it as the “silent shout”, then you are not bound by the emotion.

Real-time Resonance

Not bound by the group. Even if you confirmed the Jo-ha-Kyu development with the group rehearsal, always everyone research the best MA of timing and spacing, and if you find novel resonance pattern, immediately follow it even it is out of confirmation in the meeting. Then Jo-Ha-kyu will be co-created in the real-time Life Resonance.

Riken (Distant) eye

In the performance if you are afraid of the critical eye of audience,
swallow it as your Riken (distant) eye. And you can see yourself always and able to find the best MA and resonance pattern.

Multiple Life Resonance

Actually, we are living in the multiple resonance world of the Qualia.
All dualistic judgment and hierarchy are the human illusion.
Become Life!
Become the Transparent Life which is not by anything!
Become Rhizome!
Become a Secret!

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Colonial cell 
 22 September 2018

The medimotion let wake up the Life memory of cell

I hope the further co-research that examines the hypothesis that various medimotion is able to activate the Life memories that are hidden in the cells.

<The medimotion> which is the moving meditation has the power to let wake up the cell memories which is preserved for four billion years.
The following new discoveries of the year and the revolution of subbody method enabled for the first time were brought by the resonant explosion of the Life memories which was all awakened by this <Medimotion>.
Let's look back on the new discoveries and the revolution of subbody method.

1. <Cobody Dreaming Share>

<The placenta layer's Hidden skin resonance> and <swarm medimotion> calls up the Life memories of the <colony cells Age>, and revitalize the inner Qualia of moving in the various groups that slept in the cell.
It realized the <cobody dreaming share> that we share each other's various cobody Qualia from the darkness of the body of all the co-researchers.

2. <Resonant research of deterritorialization>

A series conditioning that recalls the hidden memories that each cell has undergone all life stages and each part of the body can be replaced each other, made possible <Resonant Research> of <Deterritorialization>. It opened people's infinite creativity of Life.

3. <Resonant Yoga - Resonant Research - Co-Midwife>

<Resonant yoga>, who share the best meditation conditioning every morning, and <Resonant research> to share the best finding each other through activating the hidden Life memory, leads to the realization of <Resonant Midwife>.

4. Rhizome way of De-self

Repetition of long-term memory over the ego builds self-identity and has grown a fantasy tree called "I" in the brain. Before I tried to de-self to my ego, but, it didn't work well. But, now we found the rhizomatic alternative way to calm down ego with mixing various <Rhizome conditioning>, Deterritorialization>, and sharing method of <Dancing the behind, between, over and under>.

5. <Resonance Rhizome> by integrating the various resonance techniques

The sharing of various resonance techniques such as Awase-hanare( same-different resonance), the mirror, disc and follow resonance, 1:2, 2:3, m: n, to activate various forgotten resonance pattern as Life, by the multiple resonance of them, we could realize <Nomad Rhizome> and <Resonance Rhizome> co-creation method without any choreographer.

6. Jo-Ha-Kyu Co-creation

Each dancer initiates a part of Jo-ha-Kyu by own Qualia and the others co-create the world with same or different resonance pattern.

Jo: A initiates to own world and the others co-create
with finding micro Jo-ha-Kyu.
Ha1:B initiates and the others co-create.
Ha2: C initiates and the others co-create.
Ha3: D initiates and the others co-create.
Kyu: E initiated and the others co-creates ending together.
After 20 years struggle, finally we found this co-creation method. We are experimenting to deepen it every week.

7.Internalization of rules of Life

The last challenge of the revolution of the school is how to vanish the rules. We had the three principles of not talking, not being late, not absent without remodeling reminds us.
To shift the external rule to the intrinsic maxim is the last issue.
When everybody builds own
maxim for the unity as <one Life> and everybody could behave, as a co-existence Rhizome who do not express self too much, and not exerting its self excessively, we can realize the infinite diversity of Life, the Revolution of the Subbody school be fulfilled.

Despite pursuing its realization for 20 years, Most of these have not been possible to realize.
The reason why it could be realized at once in a sudden this year is that the small <new techniques> mentioned above suddenly resonated with each other, and unlocked Life memories that had been sleeping in the cell, and awoke explosively at once. It seems to be due to that. When a revolution happens, like this multiple layered resonance happens at once.

Along with the reverence for infinite creativity of Life, the collaborative research of the <Life memory hypothesis> further heads for collaborative research such as Prototype, Archetype , Mother-type, Projection, Transference, Dreaming up, Possesses body, Blood of Butoh, Butoh of Life, Transparency and so on.
The aim is to find the optimum medimotion conditioning according to the characteristics of the Qualia lurking in each cell.
Group research around this is likely to be one pillar of this term.

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Tatsumi Hijikata 
 Deleuze and Guattari
 20 September 2018

The amazing synchronicity of Hijikata and Deleuze

We could find so many amazing synchronicity between Hijikata and Deleuze.

1. First synchronicity about the ego

Hijikata said, “We have to go to the place before the differentiation of self and others.”
Deleuze said, “To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I. We are no longer ourselves.”
Both are the way to release from the modern bondage of ego.

2. Second synchronicity of the transformation method to overcome the ego bind

Hijikata invented <Reduction by X and regeneration>,
Deleuze invented <Deterrtorialization and reterritorialization>.
Both are the transformation methods to release from all kind of binds; ego, self-identity, humanity, sexuality, nationality and so on.
X and the territory can be anything. Then both method is completely the same.
You can replace “territorialization” into X, then Hijikata method becomes "Reduce the territorialization" as the same as deterritorialization.
You can replace “self-identity” into X, then your any part of the body can travel anywhere and transform anything, it means your part become nomad beyond the border between you and others.
You can reduce “the restraint by ego’s territorialization to the body” then each part of the body can connect others and separate freely.
During co-research of <Reduction by X and regeneration> and <Deterritorrialization and reterritorialization>, gradually we could find the amazing synchronicity of both methods.

3. Third synchronicity of "Becoming"

It is a miraculous coincidence, because they are completely the same.
Becoming is the most fundamental technique of Hijikata Butoh. Butoh is not human expression, but becoming as the Life, the inevitable becoming to survive.
Deleuze said, “Become wolf, become a woman, become a child, become molecular, become an unrecognizable secret, become a rhizome!"
Becoming unrecognizable one is exactly the same with “Clouding (obscuring) method of the body” in “Sick Dancing princess “ by Hijikata.
Hijikata guided to become the chimera. Chimera is a being that various Qualia merged into a body and becoming something that we cannot grab what is it.

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Opening full Imagination through the <Detrrritorizing Share>  
 13 September 2018

Power of the Deterritorializing medimotion

The feature of the revolution of the subbody method in the autumn occurred by the fact that several small changes suddenly began to resonate in multilayers, and we transformed to a manifold.
Every day, witnessing the tremendous liberation of imagination and creativity while moving, which I have never seen before, is occurring in the body of the student, I wondered "What exactly is happening?". I kept listening carefully to the darkness of all co-researchers.

What I finally realized after 2 weeks was not due to a single factor but because of the resonance of several small changes, suddenly transformed into a manifold. A transformation of all of us into a manifold occurred. The subbody resonance butoh school suddenly transformed into a manifold as ONE Life.
In addition, I want to capture each factor.

One of the cores of this revolution is
<Medimotion> a meditation while moving the body.
Another core is
<Deterritorialization> that each part of the body starts to transform freely away from the ego's territory.
And they resonated with the other small changes as
<Resonant yoga> that we share every day's conditioning and <Resonant Research> sharing each one's
<Co-midwife> that everybody supports each other to open the potential creativity. of Life.

Resonating with these innovations that have been advancing in recent years, our imagination and creativity have led to a large release as if the gravity suddenly turn off.

Previously my concept of Rhizome was still trapped by the "I". I can connect freely and separate flexible with others body.
But by the <Deterritorialization>, it developed to a
<Revolution of Relationship between the body and the ego> that is trapped by the illusion that possesses the territory of own.

Each part of the body was released from the control of 'I"'s territory and becomes the nomad traveling freely beyond the borders.
It is the truth of this multidimensional revolution that brought about it.

Previously, in the concept of Rhizome that is able to connect and separate freely, I was still bound by the ego. as "I" can connect and separate freely.
But through the <Deterritorialization>, each part of the body can escape from the territory of ego. When ego noticed it, the territory becomes empty, the ego becomes "the naked King".
This is the real perfection of
Each part of the body overthrew the relationship between the ego who is regarded as its lord.
It is the truth of this multidimensional revolution that brought the <Revolution of the relationship between the body and the ego>, which any parts can travel away from the territory and transform freely.
<Deterritorialization> is the concept of Deleuze, it is a word that any students of contemporary thought know.
But, it is only us that is experimenting with it by our body. Even though the world is wide, there will be no other 15 people of Subbdoy Resonance Butoh School Himalaya who are experiencing it by the body.
While moving the body, when we share the Qualia where each part of the body transforms freely, the synergistic effect brings an interesting idea from one to the next.
After moving the spine wavy, "the arm becomes the backbone", "the leg becomes the spine" and the backbone starts to travel like other nomads to other parts more rapidly. "Someone's tongue grows on my belly," "My head sticks to someone's back", "Blackhole enters the hip". . .
Until now, even in the history of the resonance school, none of the imagination of everyone has been played so far and it has never exploded.
And, as we explored why it was possible, I realized that it was because the imagination of the body was able to leave the constraint of the ego. And I thought again that the effects of the ego were so strong.

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13 September 2018

Fine Jo-ha-Kyu Co-creation method

In a group of several people, each person invites others to a unique dreaming world.
(Deep sea, ancient time, fantasy, another universe ... to any dreams or imaginary world)
In each dreaming world, everyone takes the initiative of a short Jo-Ha-Kyu by own deterritorizing Qualia.

1. Jo: In Jo world, each one takes initiative in short deteritorizing Qualia and others follow and promote.
2. Ha 1: In Ha 1 world, each one takes initiative in short deteritorizing Qualia and others promote and follow.
3. Ha 2: In Ha 2 world, each one takes initiative in short deteritorizing Qualia and others promote and follow.
4. Ha 3: In Ha 3 world, each one takes initiative in short deteritorizing Qualia and others promote and follow.
3. Kyu: In Kyu world, each one takes initiative in short deteritorizing Qualia and others promote and follow.

Finally, someone will guide the closing Qualia and co-create together.

In the rehearsals, you can guide with words, and in the real performance without words, you guide with movement and bodily sounds.

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 13 September 2018

Meta Skill of Rhizome Co-creation

1. In order to co-create the best whole Jo-Ha-Kyu, everybody always keeps exploring what kind of Qualia it is best to share with which variations of Ma of timing and spacing.
2. We go to the point where it is no longer of any importance whether one says I. If you find it yourself, guide the initiative, if others find it, resonate and promote it according to how it is best Ma for it.
3. Whatever you would be the first initiator, the second promoter, or any other follower, you can devise the best creation.
4. Do not forget the whole Jo-Ha-Kyu co-creation. Do not overwork yourself too much. Dance the short Qualia deeply and jump wild to the next Qualia.
5. Once you get all of these, you can become the Resonant Rhizome. It's the future of humanity.

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 13 September 2018

A extreme power of the Deterritorization

Yesterday Adam guided the <Deterritorizing technique>.
It opens the infinite creativity of people extremely.
It is the first time for me in the subbody history to see such a phenomenon.
In a short time, everybody finds and initiate unique Deterritorizing Qualia, and share others Qualia immediately with pleasure.
I cannot describe it with words. It is the only way to experience it by your real body to get it.

So now we are going to
"the point where it is no longer of any importance whether One says I." that Deleuze=Guattari have dreamt.

I noticed that the deterritorization is a novel method for the de-self method.
If all elements of the Ego move out by the deterritorizing, Ego becomes empty. As the same as the King becomes empty without the Subject and property in the illusion territory.

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10 September 2018

 We need chaos

Chaos means the non-dual and multi-dimensional resonance Qualia. All of us have it in the darkness of the body. The difference is only whether being bound by the "I", Ego, Identity and forget the chaos, or continue to listen to the non-dual and multi-resonance Qualia. If we are bound by the Ego, it is full of repetition of the same Qualia that support it, and lose the creativity. The infinite creativity of Life is in that chaos of never repeated Qualia.

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 9 September 2018

Dance the short memories

1. non-dual Qualia

When we listen to the darkness of the body, at first we meet the non-dual Qualia that is not able to distinguish what it is; memory? dream? illusion? sensation? feeling? imagination?....

2. short fragment Qualia

We continue to listen, next we meet very short fragment Qualia that visit only Miri seconds and disappear.
In case we can catch it, and follow the Qualia by the body, it becomes subbody movement, otherwise, it disappears. We need to wait for the next Qualia.

3. Jumping wild

Dance these very short fragment Qualia, and jumping to next wildly.
Through it, we can dance the whole Qualia of Life.

Important thing is that 1. not follow the long memories, because it repeated many times to build your ego or identity.
In the repetition of the same Qualia, there is no space for novel creation.

Only when we dance the very novel Qualia that is not repeated ever, we can open the infinite creativity of Life. The short fragment Qualia have never repeated ever, then they have the novel potentiality for an invention.

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9 September 2018

Rhizome Revolution of subbody method 2

One tree in my head

"A lot of people are growing a tree in their heads" ("Rhizome" Deuluze = Guattari)

A long story called "Ego" or "Identity grows from this tree. The inner language which supports the self-identity is repeated infinite times.
The tree grows up to an adult, parent, teacher or a General.

No matter how conscientious it is, the Tree will kill the Rhizome of Life.
I was careless. I did not notice it. I overlooked what the tree was killing the explosion of subbody = cobody for 20 years.
The common illusion of the education theory of step-by-step method that I was bound has limited the free explosion of them.
I wonder how far I was missing the respect to the Life.
In the past 20 years, I listened to the darkness of the body of the students and participants as a midwife.
Listen to the breath of subbody = cobody lurking there, I have devoted myself to their birth.
However, in the process, I regard the unborn subbody = cobody as if it were a baby.
I was noticed that I was getting into a misunderstanding.
Certainly, many subbodies= cobodies have hidden in the darkness of the body by the parents' selective carelessness in childhood.
They might not have acquired good resonance patterns with this world.
However, at the same time, subbody=cobody is also a crystal of wisdom of Life that has been living for 4 billion years.
I had overlooked it and forgot the awe of wisdom of Life.

It reminded me that on the second day after this autumn class started,
when we did the
There are thirteen fresh cobodies appearing one after another in one day.
They sprang out as if they had been waiting to come out for a long time.
And everyone was lively dancing among other people 's cobody world.

When the tree in my head was turned off and the teacher in me ceased to lead, I was surprised at how much interesting sight would spread.
When I withered the Tree in me, it seems that the Rhizome which was suppressed by it gets spread freely.

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Let's become Rhizome! 
Recomended Books
for studying subbody method
 8 September 2018

"Rhizome" Deuleuze & Guattari

A book that decided my Life

There is no big influence given to me as much as this book.
When I have read it, immediately Rhizome and I became oneness by strong Life Resonance.
1970' I have hated the old-fashioned centralized system of the revolutionary party that I was engaged at that time in the Anti-Vietnam War movement. And I was looking for a way that builds another way of the human relationship.
"Rhizome" of Deluze=Guattari was perfect for the desire of my Life at that time.
After that, I bet on my Life to realize the Rhizome.
I changed my name to Rhizome Lee and investigated in to realize the Rhizome in Butoh creation.
It took me a long time to realize that my ego has to take off the influence of the dualistic Tree-like hierarchic system, and it became possible to break it by myself just recently. I am reading this book again now. Even after reading for 40 years, it is still a book that is fresh and learned a lot. I encourage you to read this by all means.
If you do not have time, please read it only in marking with yellow color. That is the essence of the essence of the Rhizome.

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Introduction of A Thousand Plateaus
by Deleuze & Guattari

(Minneapolis: University of Minnesota Press, 1987)

tr. Brian Massumi


The two of us wrote Anti-Oedipus together. Since each of us was several, there was already quite a crowd. Here we have made use of everything came within range, what was closest as well as farthest away. We assigned clever pseudonyms to prevent recognition. Why have we kept own names? Out of habit, purely out of habit. To make ourselves unrecognizable in turn. To render imperceptible, not ourselves, but what makes us act, feel, and think. Also because it's nice to talk like everybody else, to say the sun rises, when everybody knows it's only a manner of speaking. To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I. We are no longer ourselves. Each will know his own. We have been aided, inspired, multiplied. A book has neither object nor subject; it is made of variously for matters, and very different dates and speeds. To attribute the book subject is to overlook this working of matters, and the exteriority of their relations. It is to fabricate a beneficent God to explain geological movements. In a book, as in all things, there are lines of articulation segmentarity, strata and territories; but also lines of flight, movement deterritorialization and destratification. Comparative rates of flow on


these lines produce phenomena of relative slowness and viscosity, or, on contrary, of acceleration and rupture. All this, lines and measurable speeds, constitutes an assemblage. A book is an assemblage of this kind, and as such is unattributable. It is a multiplicity-but we don't know yet at the multiple entails when it is no longer attributed, that is, after it has been elevated to the status of a substantive. One side of a machinic assemblage faces the strata, which doubtless make it a kind of organism, or signing totality, or determination attributable to a subject; it also has a side facing a body without organs, which is continually dismantling the organism, causing asignifying particles or pure intensities to pass or circulate, and attributing to itself subjects that it leaves with nothing more than a name as the trace of an intensity. What is the body without organs of a book? There are several, depending on the nature of the lines considered, their particular grade or density, and the possibility of their converging on "plane of consistency" assuring their selection. Here, as elsewhere, the units of measure are what is essential: quantify writing. There is no difference between what a book talks about and how it is made. Therefore a book has no object. As an assemblage, a book has only itself, in connection with other assemblages and in relation to other bodies without organs. We will never ask what a book means, as signified or signifier; we will not look for anything to understand in it. We will ask what it functions with, in connection with what other things it does or does not transmit intensities, in which other multiplicities its own are inserted and metamorphosed, and with what bodies without organs it makes its own converge. A book exists only through the outside and on the outside. A book itself is a little machine; what is the relation (also measurable) of this literary machine to a war machine, love machine, revolutionary machine, etc.-and an abstract machine that sweeps them along? We have been criticized for overquoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into, must be plugged into in order to work. Kleist and a mad war machine, Kafka and a most extraordinary bureaucratic machine ... (What if one became animal or plant through literature, which certainly does not mean literarily? Is it not first through the voice that one becomes animal?) Literature is an assemblage. It has nothing to do with ideology. There is no ideology and never has been. All we talk about are multiplicities, lines, strata and segmentarities, ines of flight and intensities, machinic assemblages and their various ypes, bodies without organs and their construction and selection, the )lane of consistency, and in each case the units of measure. Stratometers, teleometers, BwO units of density, BwO units of convergence: Not only do hese constitute a quantification of writing, but they define writing as ilways the measure of something else. Writing has nothing to do with


signifying. It has to do with surveying, mapping, even realms that are yet to come.

A first type of book is the root-book. The tree is already the image of the world, or the root the image of the world-tree. This is the classical book, as noble, signifying, and subjective organic interiority (the strata of the book). The book imitates the world, as art imitates nature: by procedures specific to it that accomplish what nature cannot or can no longer do. The law of the book is the law of reflection, the One that becomes two. How could the law of the book reside in nature, when it is what presides over the very division between world and book, nature and art? One becomes two: whenever we encounter this formula, even stated strategically by Mao or understood in the most "dialectical" way possible, what we have before us is the most classical and well reflected, oldest, and weariest kind of thought. Nature doesn't work that way: in nature, roots are taproots with a more multiple, lateral, and circular system of ramification, rather than a dichotomous one. Thought lags behind nature. Even the book as a natural reality is a taproot, with its pivotal spine and surrounding leaves. But the book as a spiritual reality, theTree or Root as an image, endlessly develops the law of the One that becomes two, then of the two that become four ... Binary logic is the spiritual reality of the root-tree. Even a discipline as "advanced" as linguistics retains the root-tree as its fundamental image, and thus remains wedded to classical reflection (for example, Chomsky and his grammatical trees, which begin at a point S and proceed by dichotomy). This is as much as to say that this system of thought has never reached an understanding of multiplicity: in order to arrive at two following a spiritual method it must assume a strong principal unity. On the side of the object, it is no doubt possible, following the natural method, to go directly from One to three, four, or five, but only if there is a strong principal unity available, that of the pivotal taproot supporting the secondary roots. That doesn't get us very far. The binary logic of dichotomy has simply been replaced by biunivocal relationships between successive circles. The pivotal taproot provides no better understanding of multiplicity than the dichotomous root. One operates in the object, the other in the subject. Binary logic and biunivocal relationships still dominate psychoanalysis (the tree of delusion in the Freudian interpretation of Schreber's case), linguistics, structuralism, and even information science.

The radicle-system, or fascicular root, is the second figure of the book, to which our modernity pays willing allegiance. This time, the principal root has aborted, or its tip has been destroyed; an immediate, indefinite multiplicity of secondary roots grafts onto it and undergoes a flourishing development. This time, natural reality is what aborts the principal root, but the root's unity subsists, as past or yet to come, as possible. We must ask


reflexive, spiritual reality does not compensate for this state of things by demanding an even more comprehensive secret unity, or a more extensive totality. Take William Burroughs's cut-up method: the folding of one text onto another, which constitutes multiple and even adventitious roots (like a cutting), implies a supplementary dimension to that of the texts under consideration. In this supplementary dimension of folding, unity continues its spiritual labor. That is why the most resolutely fragmented work can not be presented as the Total Work or Magnum Opus. Most modern methods for making series proliferate or a multiplicity grow are perfectly valid one direction, for example, a linear direction, whereas a unity of totalization asserts itself even more firmly in another, circular or cyclic, dimension. Whenever a multiplicity is taken up in a structure, its growth is offset by a reduction in its laws of combination. The abortionists of unity are indeed angel makers, doctores angelici, because they affirm a properly angelic and superior unity. Joyce's words, accurately described as having "multiple roots," shatter the linear unity of the word, even of language, only to posit a cyclic unity of the sentence, text, or knowledge. Nietzsche's aphorisms shatter the linear unity of knowledge, only to invoke the cyclic unity of the eternal return, present as the nonknown in thought. This is as much as to say that the fascicular system does not really break with dualism, with the complementarity between a subject and an object, a natural reality and a spiritual reality: unity is consistently thwarted and obstructed in the object, while a new type of unity triumphs in the subject. The world has lost its pivot; the subject can no longer even dichotomize, but accedes to a higher unity, of ambivalence or overdetermination, in an always supplementary dimension to that of its object. The world has become chaos, but the book remains the image of the world: radicle-chaosmos rather than root-cosmos. A strange mystification: a book all the more total for being fragmented. At any rate, what a vapid idea, the book as the image of the world. In truth, it is not enough to say, "Long live the multiple," difficult as is to raise that cry. No typographical, lexical, or even syntactical cleverness is enough to make it heard. The multiple must be made, not by always adding a higher dimension, but rather in the simplest of ways, by dint of sobriety, with the number of dimensions one already has available—always n-1 (the only way the one belongs to the multiple: always subtracted). Subtract the unique from the multiplicity to be constituted; write at n - I dimensions. A system of this kind could be called a rhizome. A rhizome as subterranean stem is absolutely different from roots and radicles. Bulbs and tubers are rhizomes. Plants with roots or radicles may be rhizomorphic in other respects altogether: the question is whether plant life in its specificity is not entirely rhizomatic. Even some animals are, in their pack form. Rats are rhizomes. Burrows are too, in all of their func


tions of shelter, supply, movement, evasion, and breakout. The rhizome itself assumes very diverse forms, from ramified surface extension in all directions to concretion into bulbs and tubers. When rats swarm over each other. The rhizome includes the best and the worst: potato and couchgrass, or the weed. Animal and plant, couchgrass is crabgrass. We get the distinct feeling that we will convince no one unless we enumerate certain approximate characteristics of the rhizome.

1 and 2. Principles of connection and heterogeneity: any point of a rhizome can be connected to anything other, and must be. This is very different from the tree or root, which plots a point, fixes an order. The linguistic tree on the Chomsky model still begins at a point S and proceeds by dichotomy. On the contrary, not every trait in a rhizome is necessarily linked to a linguistic feature: semiotic chains of every nature are connected to very diverse modes of coding (biological, political, economic, etc.) that bring into play not only different regimes of signs but also states of things of differing status. Collective assemblages of enunciation function directly within machinic assemblages; it is not impossible to make a radical break between regimes of signs and their objects. Even when linguistics claims to confine itself to what is explicit and to make no presuppositions about language, it is still in the sphere of a discourse implying particular modes of assemblage and types of social power. Chomsky's grammaticality, the categorical S symbol that dominates every sentence, is more fundamentally a marker of power than a syntactic marker: you will construct grammatically correct sentences, you will divide each statement into a noun phrase and a verb phrase (first dichotomy ... ). Our criticism of these linguistic models is not that they are too abstract but, on the contrary, that they are not abstract enough, that they do not reach the abstract machine that connects a language to the semantic and pragmatic contents of statements, to collective assemblages of enunciation, to a whole micropolitics of the social field. A rhizome ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles. A semiotic chain is like a tuber agglomerating very diverse acts, not only linguistic, but also perceptive, mimetic, gestural, and cognitive: there is no language in itself, nor are there any linguistic universals, only a throng of dialects, patois, slangs, and specialized languages. There is no ideal speaker-listener, any more than there is a homogeneous linguistic community. Language is, in Weinreich's words, "an essentially heterogeneous reality."1 There is no mother tongue, only a power takeover by a dominant language within a political multiplicity. Language stabilizes around a parish, a bishopric, a capital. It forms a bulb. It evolves by subterranean stems and flows, along river valleys or train tracks; it spreads like a patch of oil.2 It is always possible to break a language


down into internal structural elements, an undertaking not fundamentally different from a search for roots. There is always something genealogical about a tree. It is not a method for the people. A method of the rhizome type, on the contrary, can analyze language only by decentering it onto other dimensions and other registers. A language is never closed upon itself, except as a function of impotence.

3. Principle of multiplicity: it is only when the multiple is effectively treated as a substantive, "multiplicity," that it ceases to have any relation to the One as subject or object, natural or spiritual reality, image and world. Multiplicities are rhizomatic, and expose arborescent pseudomultiplicities for what they are. There is no unity to serve as a pivot in the object, or to divide in the subject. There is not even the unity to abort in the object "return" in the subject. A multiplicity has neither subject nor object, on1y determinations, magnitudes, and dimensions that cannot increase in number without the multiplicity changing in nature (the laws of combination therefore increase in number as the multiplicity grows). Puppet strings, as a rhizome or multiplicity, are tied not to the supposed will of an artist or puppeteer but to a multiplicity of nerve fibers, which form another puppet in other dimensions connected to the first: "Call the strings or rods that move the puppet the weave. It might be objected that its multiplicity resides in the person of the actor, who projects it into the text. Granted; but the actor's nerve fibers in turn form a weave. And they fall rough the gray matter, the grid, into the undifferentiated.... The interplay approximates the pure activity of weavers attributed in myth to the Fates or Norns."3 An assemblage is precisely this increase in the dimensions of a multiplicity that necessarily changes in nature as it expands its connections. There are no points or positions in a rhizome, such as those found in a structure, tree, or root. There are only lines. When Glenn Gould speeds up the performance of a piece, he is not just displaying virtuosity, he is transforming the musical points into lines, he is making the whole piece proliferate. The number is no longer a universal concept measuring elements according to their emplacement in a given dimension, but has itself become a multiplicity that varies according to the dimensions considered (the primacy of the domain over a complex of numbers attached to that domain). We do not have units (unités) of measure, only multiplicities or varieties of measurement. The notion of unity (unités) appears only when there is a power takeover in the multiplicity by the signifier or a correponding subjectification proceeding: This is the case for a pivot-unity forming the basis for a set of biunivocal relationships between objective elements or points, or for the One that divides following the law of a binary logic of differentiation in the subject. Unity always operates in an empty dimension supplementary to that of the system considered (overcoding).


The point is that a rhizome or multiplicity never allows itself to be overcoded, never has available a supplementary dimension over and above its number of lines, that is, over and above the multiplicity of numbers attached to those lines. All multiplicities are flat, in the sense that they fill or occupy all of their dimensions: we will therefore speak of a plane of consistency of multiplicities, even though the dimensions of this "plane" increase with the number of connections that are made on it. Multiplicities are defined by the outside: by the abstract line, the line of flight or deterritorialization according to which they change in nature and connect with other multiplicities. The plane of consistency (grid) is the outside of all multiplicities. The line of flight marks: the reality of a finite number of dimensions that the multiplicity effectively fills; the impossibility of a supplementary dimension, unless the multiplicity is transformed by the line of flight; the possibility and necessity of flattening all of the multiplicities on a single plane of consistency or exteriority, regardless of their number of dimensions. The ideal for a book would be to lay everything out on a plane of exteriority of this kind, on a single page, the same sheet: lived events, historical determinations, concepts, individuals, groups, social formations. Kleist invented a writing of this type, a broken chain of affects and variable speeds, with accelerations and transformations, always in a relation with the outside. Open rings. His texts, therefore, are opposed in every way to the classical or romantic book constituted by the interiority of a substance or subject. The war machine-book against the State apparatus-book. Flat multiplicities of n dimensions are asignifying and asubjective. They are designated by indefinite articles, or rather by partitives (some couchgrass, some of a rhizome ...).

4. Principle of asignifying rupture: against the oversignifying breaks separating structures or cutting across a single structure. A rhizome may be broken, shattered at a given spot, but it will start up again on one of its old lines, or on new lines. You can never get rid of ants because they form an animal rhizome that can rebound time and again after most of it has been destroyed. Every rhizome contains lines of segmentarity according to which it is stratified, territorialized, organized, signified, attributed, etc., as well as lines of deterritorialization down which it constantly flees. There is a rupture in the rhizome whenever segmentary lines explode into a line of flight, but the line of flight is part of the rhizome. These lines always tie back to one another. That is why one can never posit a dualism or a dichotomy, even in the rudimentary form of the good and the bad. You may make a rupture, draw a line of flight, yet there is still a danger that you will reencounter organizations that restratify everything, formations that restore power to a signifier, attributions that reconstitute a subject—anything you like, from Oedipal resurgences to fascist concretions. Groups


and individuals contain microfascisms just waiting to crystallize. Yes, couchgrass is also a rhizome. Good and bad are only the products of an active and temporary selection, which must be renewed. How could movements of deterritorialization and processes of reterritalization not be relative, always connected, caught up in one another? The orchid deterritorializes by forming an image, a tracing of a wasp; but the wasp reterritorializes on that image. The wasp is nevertheless derritorialized, becoming a piece in the orchid's reproductive apparatus. But it reterritorializes the orchid by transporting its pollen. Wasp and orchid, as heterogeneous elements, form a rhizome. It could be said that the orchid imitates the wasp, reproducing its image in a signifying fashion (mimesis, mimicry, lure, etc.). But this is true only on the level of the strata-a parallelism between two strata such that a plant organization on one imitates an animal organization on the other. At the same time, something else entirely is going on: not imitation at all but a capture of code, surplus value of code, an increase in valence, a veritable becoming, a becoming-wasp of the orchid and a becoming-orchid of the wasp. Each of these becomings brings about the deterritorialization of one term and the reterritorialization of the other; the two becomings interlink and form relays in a circulation of intensities pushing the deterritorialization ever further. There is neither imitation nor resemblance, only an exploding of two heterogeneous series on the line of flight composed by a common rhizome that can no longer be attributed to or subjugated by anything signifying. Rémy Chauvin expresses it well: "the aparallel evolution of two beings that have absolutely nothing to do with each other."4 More generally, evolutionary schemas may be forced to abandon the old model of the tree and descent. Under certain conditions, a virus can connect to germ cells and transmit itself as the cellular gene of a complex species; moreover, it can take flight, move into the cells of an entirely different species, but not without bringing with it "genetic information" from the first host (for example, Benveniste and Todaro's current research on a type C virus, with its double connection to baboon DNA and the DNA of certain kinds of domestic cats). Evolutionary schemas would no longer follow models of arborescent descent going from the least to the most differentiated, but instead a rhizome operating immediately in the heterogeneous and jumping from one already differentiated line to another.5 Once again, there is aparallel evolution, of the baboon and the cat; it is obvious that they are not models or copies of each other (a becoming-baboon in the cat does not mean that the cat "plays" baboon). We form a rhizome with our viruses, or rather our viruses cause us to form a rhizome with other animals. As Francois Jacob says, transfers of genetic material by viruses or through other procedures, fusions of cells originating in different species, have results analogous to


those of "the abominable couplings dear to antiquity and the Middle Ages."6 Transversal communications between different lines scramble the genealogical trees. Always look for the molecular, or even submolecular, particle with which we are allied. We evolve and die more from our polymorphous and rhizomatic flus than from hereditary diseases, or diseases that have their own line of descent. The rhizome is an anti-genealogy. The same applies to the book and the world: contrary to a deeply rooted belief, the book is not an image of the world. It forms a rhizome with the world, there is an aparallel evolution of the book and the world; the book assures the deterritorialization of the world, but the world effects a reterritorialization of the book, which in turn deterritorializes itself in the world (if it is capable, if it can). Mimicry is a very bad concept, since it relies on binary logic to describe phenomena of an entirely different nature. The crocodile does not reproduce a tree trunk, any more than the chameleon reproduces the colors of its surroundings. The Pink Panther imitates nothing, it reproduces nothing, it paints the world its color, pink on pink; this is its becoming-world, carried out in such a way that it becomes imperceptible itself, asignifying, makes its rupture, its own line of flight, follows its "aparallel evolution" through to the end. The wisdom of the plants: even when they have roots, there is always an outside where they form a rhizome with something else-with the wind, an animal, human beings (and there is also an aspect under which animals themselves form rhizomes, as do people, etc.). "Drunkenness as a triumphant irruption of the plant in us." Always follow the rhizome by rupture; lengthen, prolong, and relay the line of flight; make it vary, until you have produced the most abstract and tortuous of lines of n dimensions and broken directions. Conjugate deterritorialized flows. Follow the plants: you start by delimiting a first line consisting of circles of convergence around successive singularities; then you see whether Inside that line new circles of convergence establish themselves, with new points located outside the limits and in other directions. Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency. "Go first to your old plant and watch carefully the watercourse made by the rain. By now the rain must have carried the seeds far away. Watch the crevices made by the runoff, and from them determine the direction of the flow. Then find the plant that is growing at the farthest point from your plant. All the devil's weed plants that are growing in between are yours. Later ... you can extend the size of your territory by following the watercourse from each point along the way."7 Music has always sent out lines of flight, like so many "transformational multiplicities," even overturning the very codes that structure or


arborify it; that is why musical form, right down to its ruptures and proliferations, is comparable to a weed, a rhizome.8

5 and 6. Principle of cartography and decalcomania: a rhizome is not amenable to any structural or generative model. It is a stranger to any idea of genetic axis or deep structure. A genetic axis is like an objective pivotal unity upon which successive stages are organized; a deep structure is more like a base sequence that can be broken down into immediate constituents, while the unity of the product passes into another, transformational and subjective, dimension. This does not constitute a departure from the representative model of the tree, or root-pivotal taproot or fascicles (for example, Chomsky's "tree" is associated with a base sequence and represents the process of its own generation in terms of binary logic). A variation on the oldest form of thought. It is our view that genetic axis and profound structure are above all infinitely reproducible principles of tracing. All of tree logic is a logic of tracing and reproduction. In linguistics as in psychoanalysis, its object is an unconscious that is itself representative, crystallized into codified complexes, laid out along a genetic axis and distributed within a syntagmatic structure. Its goal is to describe a de facto state, to maintain balance in intersubjective relations, or to explore an unconscious that is already there from the start, lurking in the dark recesses of memory and language. It consists of tracing, on the basis of an overcoding structure or supporting axis, something that comes ready-made. The tree articulates and hierarchizes tracings; tracings are like the leaves of a tree. The rhizome is altogether different, a map and not a tracing. Make a map, not a tracing. The orchid does not reproduce the tracing of the wasp; it forms a map with the wasp, in a rhizome. What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation. Perhaps one of the most important characteristics of the rhizome is that it always has multiple entryways; in this sense, the burrow is an animal rhizome, and sometimes maintains a clear distinction between the line of flight as passageway and storage or living strata (cf. the muskrat). A map has multiple entryways, as opposed to the tracing, which always comes back "to the same." The map has to do with performance, whereas the trac


ing always involves an alleged "competence." Unlike psychoanalysis, psychoanalytic competence (which confines every desire and statement to a genetic axis or overcoding structure, and makes infinite, monotonous tracings of the stages on that axis or the constituents of that structure), schizoanalysis rejects any idea of pretraced destiny, whatever name is given to it-divine, anagogic, historical, economic, structural, hereditary, or syntagmatic. (It is obvious that Melanie Klein has no understanding of the cartography of one of her child patients, Little Richard, and is content to make ready-made tracings-Oedipus, the good daddy and the bad daddy, the bad mommy and the good mommy-while the child makes a desperate attempt to carry out a performance that the psychoanalyst totally misconstrues.)9 Drives and part-objects are neither stages on a genetic axis nor positions in a deep structure; they are political options for problems, they are entryways and exits, impasses the child lives out politically, in other words, with all the force of his or her desire. Have we not, however, reverted to a simple dualism by contrasting maps to tracings, as good and bad sides? Is it not of the essence of the map to be traceable? Is it not of the essence of the rhizome to intersect roots and sometimes merge with them? Does not a map contain phenomena of redundancy that are already like tracings of its own? Does not a multiplicity have strata upon which unifications and totalizations, massifications, mimetic mechanisms, signifying power takeovers, and subjective attributions take root? Do not even lines of flight, due to their eventual divergence, reproduce the very formations their function it was to dismantle or outflank? But the opposite is also true. It is a question of method: the tracing should always be put back on the map. This operation and the previous one are not at all symmetrical. For it is inaccurate to say that a tracing reproduces the map. It is instead like a photograph or X ray that begins by selecting or isolating, by artificial means such as colorations or other restrictive procedures, what it intends to reproduce. The imitator always creates the model, and attracts it. The tracing has already translated the map into an image; it has already transformed the rhizome into roots and radicles. It has organized, stabilized, neutralized the multiplicities according to the axes of signifiance and subjectification belonging to it. It has generated, structuralized the rhizome, and when it thinks it is reproducing something else it is in fact only reproducing itself. That is why the tracing is so dangerous. It injects redundancies and propagates them. What the tracing reproduces of the map or rhizome are only the impasses, blockages, incipient taproots, or points of structuration. Take a look at psychoanalysis and linguistics: all the former has ever made are tracings or photos of the unconscious, and the latter of language, with all the betrayals that implies (it's not surprising that psychoanalysis tied its fate to that of linguistics).


Look at what happened to Little Hans already, an example of child psychoanalysis at its purest: they kept on BREAKING HIS RHIZOME and BLOTCHING HIS MAP, setting it straight for him, blocking his every way out, until he began to desire his own shame and guilt, until they had rooted shame and guilt in him, PHOBIA (they barred him from the rhizome of the building, then from the rhizome of the street, they rooted him in his parents' bed, they radicled him to his own body, they fixated him on Professor Freud). Freud explicitly takes Little Hans's cartography into account, but always and only in order to project it back onto the family photo. And look what Melanie Klein did to Little Richard's geopolitical maps: she developed photos from them, made tracings of them. Strike the pose or follow the axis, genetic stage or structural destiny-one way or the other, your rhizome will be broken. You will be allowed to live and speak, but only after every outlet has been obstructed. Once a rhizome has been obstructed, arborified, it's all over, no desire stirs; for it is always by rhizome that desire moves and produces. Whenever desire climbs a tree, internal repercussions trip it up and it falls to its death; the rhizome, on the other hand, acts on desire by external, productive outgrowths. That is why it is so important to try the other, reverse but nonsymmetrical, operation. Plug the tracings back into the map, connect the roots or trees back up with a rhizome. In the case of Little Hans, studying the unconscious would be to show how he tries to build a rhizome, with the family house but also with the line of flight of the building, the street, etc.; how these lines are blocked, how the child is made to take root in the family, be photographed under the father, be traced onto the mother's bed; then how Professor Freud's intervention assures a power takeover by the signifier, a subjectification of affects; how the only escape route left to the child is a becoming-animal perceived as shameful and guilty (the becoming-horse of Little Hans, a truly political option). But these impasses must always be resituated on the map, thereby opening them up to possible lines of flight. The same applies to the group map: show at what point in the rhizome there form phenomena of massification, bureaucracy, leadership, fascization, etc., which lines nevertheless survive, if only underground, continuing to make rhizome in the shadows. Deligny's method: map the gestures and movements of an autistic child, combine several maps for the same child, for several different children.10 If it is true that it is of the essence of the map or rhizome to have multiple entryways, then it is plausible that one could even enter them through tracings or the roottree, assuming the necessary precautions are taken (once again, one must avoid any Manichaean dualism). For example, one will often be forced to take dead ends, to work with signifying powers and subjective affections, to find a foothold in formations that are Oedipal or paranoid or even worse,


rigidified territorialities that open the way for other transformational operations. It is even possible for psychoanalysis to serve as a foothold, in spite of itself. In other cases, on the contrary, one will bolster oneself directly on a line of flight enabling one to blow apart strata, cut roots, and make new connections. Thus, there are very diverse map-tracing, rhizomeroot assemblages, with variable coefficients of deterritorialization. There exist tree or root structures in rhizomes; conversely, a tree branch or root division may begin to burgeon into a rhizome. The coordinates are determined not by theoretical analyses implying universals but by a pragmatics composing multiplicities or aggregates of intensities. A new rhizome may form in the heart of a tree, the hollow of a root, the crook of a branch. Or else it is a microscopic element of the root-tree, a radicle, that gets rhizome production going. Accounting and bureaucracy proceed by tracings: they can begin to burgeon nonetheless, throwing out rhizome stems, as in a Kafka novel. An intensive trait starts working for itself, a hallucinatory perception, synesthesia, perverse mutation, or play of images shakes loose, challenging the hegemony of the signifier. In the case of the child, gestural, mimetic, ludic, and other semiotic systems regain their freedom and extricate themselves from the "tracing," that is, from the dominant competence of the teacher's language-a microscopic event upsets the local balance of power. Similarly, generative trees constructed according to Chomsky's syntagmatic model can open up in all directions, and in turn form a rhizome.11 To be rhizomorphous is to produce stems and filaments that seem to be roots, or better yet connect with them by penetrating the trunk, but put them to strange new uses. We're tired of trees. We should stop believing in trees, roots, and radicles. They've made us suffer too much. All of arborescent culture is founded on them, from biology to linguistics. Nothing is beautiful or loving or political aside from underground stems and aerial roots, adventitious growths and rhizomes. Amsterdam, a city entirely without roots, a rhizome-city with its stem-canals, where utility connects with the greatest folly in relation to a commercial war machine. Thought is not arborescent, and the brain is not a rooted or ramified matter. What are wrongly called "dendrites" do not assure the connection of neurons in a continuous fabric. The discontinuity between cells, the role of the axons, the functioning of the synapses, the existence of synaptic microfissures, the leap each message makes across these fissures, make the brain a multiplicity immersed in its plane of consistency or neuroglia, a whole uncertain, probabilistic system ("the uncertain nervous system"). Many people have a tree growing in their heads, but the brain itself is much more a grass than a tree. "The axon and the dendrite twist around each other like bindweed around brambles, with synapses at each of the thorns."12 The same goes for memory. Neurologists and psychophysiolo

gists distinguish between long-term memory and short-term memory (on the order of a minute). The difference between them is not simply


quantitative: short-term memory is of the rhizome or diagram type, and long-term memory is arborescent and centralized (imprint, engram, tracing, or photograph). Short-term memory is in no way subject to a law of contiguity or immediacy to its object; it can act at a distance, come or return a long time after, but always under conditions of discontinuity, rupture, and multiplicity. Furthermore, the difference between the two kinds of memory is not that of two temporal modes of apprehending the same thing; they do not grasp the same thing, memory, or idea. The splendor of the short-term Idea: one writes using short-term memory, and thus short-term ideas, even if one reads or rereads using long-term memory of long-term concepts. Short-term memory includes forgetting as a process; it merges not with the instant but instead with the nervous, temporal, and collective rhizome. Long-term memory (family, race, society, or civilization) traces and translates, but what it translates continues to act in it, from a distance, off beat, in an "untimely" way, not instantaneously. The tree and root inspire a sad image of thought that is forever imitating the multiple on the basis of a centered or segmented higher unity. If we consider the set, branches-roots, the trunk plays the role of opposed segment for one of the subsets running from bottom to top: this kind of segment is a "link dipole," in contrast to the "unit dipoles" formed by spokes radiating from a single center.13 Even if the links themselves proliferate, as in the radicle system, one can never get beyond the One-Two, and fake multiplicities. Regenerations, reproductions, returns, hydras, and medusas do not get us any further. Arborescent systems are hierarchical systems with centers of signifiance and subjectification, central automata like organized memories. In the corresponding models, an element only receives information from a higher unit, and only receives a subjective affection along preestablished paths. This is evident in current problems in information science and computer science, which still cling to the oldest modes of thought in that they grant all power to a memory or central organ. Pierre Rosenstiehl and Jean Petitot, in a fine article denouncing "the imagery of command trees" (centered systems or hierarchical structures), note that "accepting the primacy of hierarchical structures amounts to giving arborescent structures privileged status.... The arborescent form admits of topological explanation.... In a hierarchical system, an individual has only one active neighbor, his or her hierarchical superior….The channels of transmission are preestablished: the arborescent system preexists the individual, who is integrated into it at an allotted place" (signifiance and subjectification). The authors point out that even when one thinks one has reached a multiplicity, it may be a false one-of what we call the radicle


type-because its ostensibly nonhierarchical presentation or statement in fact only admits of a totally hierarchical solution. An example is the famous friendship theorem: "If any two given individuals in a society have precisely one mutual friend, then there exists an individual who is the friend of all the others." (Rosenstiehl and Petitot ask who that mutual friend is. Who is "the universal friend in this society of couples: the master, the confessor, the doctor? These ideas are curiously far removed from the initial axioms." Who is this friend of humankind? Is it the philo-sopher as he appears in classical thought, even if he is an aborted unity that makes itself felt only through its absence or subjectivity, saying all the while, I know nothing, I am nothing?) Thus the authors speak of dictatorship theorems. Such is indeed the principle of roots-trees, or their outcome: the radicle solution, the structure of Power.14 To these centered systems, the authors contrast acentered systems, finite networks of automata in which communication runs from any neigh- bor to any other, the stems or channels do not preexist, and all individuals are interchangeable, defined only by their stateat a given moment-such that the local operations are coordinated and the final, global result syn- chronized without a central agency. Transduction of intensive states replaces topology, and "the graph regulating the circulation of information is in a way the opposite of the hierarchical graph….There is no reason for the graph to be a tree" (we have been calling this kind of graph a map). The problem of the war machine, or the firing squad: is a general necessary for n individuals to manage to fire in unison? The solution without a General is to be found in an acentered multiplicity possessing a finite number of states with signals to indicate corresponding speeds, from a war rhizome or guerrilla logic point of view, without any tracing, without any copying of a central order. The authors even demonstrate that this kind of machinic multiplicity, assemblage, or society rejects any centralizing or unifying automaton as an "asocial intrusion."15 Under these conditions, n is in fact always n – 1. Rosenstiehl and Petitot emphasize that the opposition, centered-acentered, is valid less as a designation for things than as a mode of calculation applied to things. Trees may correspond to the rhizome, or they may burgeon into a rhizome. It is true that the same thing is generally susceptible to both modes of calculation or both types of regulation, but not without undergoing a change in state. Take psychoanalysis as an exam- ple again: it subjects the unconscious to arborescent structures, hierarchical graphs, recapitulatory memories, central organs, the phallus, the phallus-tree-not only in its theory but also in its practice of calculation and treatment. Psychoanalysis cannot change its method in this regard: it bases its own dictatorial power upon a dictatorial conception of the unconscious. Psychoanalysis's margin of maneuverability is therefore very


limited. In both psychoanalysis and its object, there is always a general, always a leader (General Freud). Schizoanalysis, on the other hand, treats the unconscious as an acentered system, in other words, as a machinic network of finite automata (a rhizome), and thus arrives at an entirely different state of the unconscious. These same remarks apply to linguistics; Rosenstiehl and Petitot are right to bring up the possibility of an "acentered organization of a society of words." For both statements and desires, the issue is never to reduce the unconscious or to interpret it or to make it signify according to a tree model. The issue is to produce the unconscious, and with it new statements, different desires: the rhizome is precisely this production of the unconscious. It is odd how the tree has dominated Western reality and all of Western thought, from botany to biology and anatomy, but also gnosiology, theology, ontology, all of philosophy ...: the rootfoundation, Grund, racine, fondement. The West has a special relation to the forest, and deforestation; the fields carved from the forest are populated with seed plants produced by cultivation based on species lineages of the arborescent type; animal raising, carried out on fallow fields, selects lineages forming an entire animal arborescence. The East presents a different figure: a relation to the steppe and the garden (or in some cases, the desert and the oasis),, rather than forest and field; cultivation of tubers by fragmentation of the individual; a casting aside or bracketing of animal raising, which is confined to closed spaces or pushed out onto the steppes of the nomads. The West: agriculture based on a chosen lineage containing a large number of variable individuals. The East: horticulture based on a small number of individuals derived from a wide range of "clones." Does not the East, Oceania in particular, offer something like a rhizomatic model opposed in every respect to the Western model of the tree? André Haudricourt even sees this as the basis for the opposition between the moralities or philosophies of transcendence dear to the West and the immanent ones of the East: the God who sows and reaps, as opposed to the God who replants and unearths (replanting of offshoots versus sowing of seeds).16 Transcendence: a specifically European disease. Neither is music the same, the music of the earth is different, as is sexuality: seed plants, even those with two sexes in the same plant, subjugate sexuality to the reproductive model; the rhizome, on the other hand, is a liberation of sexuality not only from reproduction but also from genitality. Here in the West, the tree has implanted itself in our bodies, rigidifying and stratifying even the sexes. We have lost the rhizome, or the grass. Henry Miller: "China is the weed in the human cabbage patch. ... The weed is the Nemesis of human endeavor... Of all the imaginary existences we attribute to plant, beast and star the weed leads the most satisfactory life of all. True, the weed produces no lilies, no battleships, no Ser


mons on the Mount... Eventually the weed gets the upper hand. Eventually things fall back into a state of China. This condition is usually referred to by historians as the Dark Age. Grass is the only way out.... The weed exists only to fill the waste spaces left by cultivated areas. It grows between, among other things. The lily is beautiful, the cabbage is provender, the poppy is maddening-but the weed is rank growth ... : it points a moral."17 Which China is Miller talking about? The old China, the new, an imaginary one, or yet another located on a shifting map? America is a special case. Of course it is not immune from domination by trees or the search for roots. This is evident even in the literature, in the quest for a national identity and even for a European ancestry or genealogy (Kerouac going off in search of his ancestors). Nevertheless, everything important that has happened or is happening takes the route of the American rhizome: the beatniks, the underground, bands and gangs, successive lateral offshoots in immediate connection with an outside. American books are different from European books, even when the American sets off in pursuit of trees. The conception of the book is different. Leaves of Grass. And directions in America are different: the search for arborescence and the return to the Old World occur in the East. But there is the rhizomatic West, with its Indians without ancestry, its ever-receding limit, its shifting and displaced frontiers. There is a whole American "map" in the West, where even the trees form rhizomes. America reversed the directions: it put its Orient in the West, as if it were precisely in America that the earth came full circle; its West is the edge of the East.18 (India is not the intermediary between the Occident and the Orient, as Haudricourt believed: America is the pivot point and mechanism of reversal.) The American singer Patti Smith sings the bible of the American dentist: Don't go for the root, follow the canal ... Are there not also two kinds of bureaucracy, or even three (or still more)? Western bureaucracy: its agrarian, cadastral origins; roots and fields; trees and their role as frontiers; the great census of William the Conqueror; feudalism; the policies of the kings of France; making property the basis of the State; negotiating land through warfare, litigation, and marriages. The kings of France chose the lily because it is a plant with deep roots that clings to slopes. Is bureaucracy the same in the Orient? Of course it is all too easy to depict an Orient of rhizomes and immanence; yet it is true that in the Orient the State does not act following a schema of arborescence corresponding to preestablished, arborified, and rooted classes; its bureaucracy is one of channels, for example, the much-discussed case of hydraulic power with "weak property," in which the State engenders channeled and channelizing classes (cf. the aspects of Wittfogel's work that have not been refuted).19The despot acts as a river, not as a fountainhead, which is still a


point, a tree-point or root; he flows with the current rather than sitting under a tree; Buddha's tree itself becomes a rhizome; Mao's river and Louis's tree. Has not America acted as an intermediary here as well? For it proceeds both by internal exterminations and liquidations (not only the Indians but also the farmers, etc.), and by successive waves of immigration from the outside. The flow of capital produces an immense channel, a quantification of power with immediate "quanta," where each person profits from the passage of the money flow in his or her own way (hence the reality-myth of the poor man who strikes it rich and then falls into poverty again): in America everything comes together, tree and channel, root and rhizome. There is no universal capitalism, there is no capitalism in itself-, capitalism is at the crossroads of all kinds of formations, it is neocapitalism by nature. It invents its eastern face and western face, and reshapes them both-all for the worst. At the same time, we are on the wrong track with all these geographical distributions. An impasse. So much the better. If it is a question of showing that rhizomes also have their own, even more rigid, despotism and hierarchy, then fine and good: for there is no dualism, no ontological dualism between here and there, no axiological dualism between good and bad, no blend or American synthesis. There are knots of arborescence in rhizomes, and rhizomatic offshoots in roots. Moreover, there are despotic formations of immanence and channelization specific to rhizomes, just as there are anarchic deformations in the transcendent system of trees, aerial roots, and subterranean stems. The important point is that the root-tree and canal-rhizome are not two opposed models: the first operates as a transcendent model and tracing, even if it engenders its own escapes; the second operates as an immanent process that overturns the model and outlines a map, even if it constitutes its own hierarchies, even if it gives rise to a despotic channel. It is not a question of this or that place on earth, or of a given moment in history, still less of this or that category of thought. It is a question of a model that is perpetually in construction or collapsing, and of a process that is perpetually prolonging itself, breaking off and starting up again. No, this is not a new or different dualism. The problem of writing: in order to designate something exactly, anexact expressions are utterly unavoidable. Not at all because it is a necessary step, or because one can only advance by approximations: anexactitude is in no way an approximation; on the contrary, it is the exact passage of that which is under way. We invoke one dualism only in order to challenge another. We employ a dualism of models only in order to arrive at a process that challenges all models. Each time, mental correctives are necessary to undo the dualisms we had no wish to construct but through which we pass. Arrive at the magic formula we all seek-PLURALISM = MONISM-via all the dualisms that are


the enemy, an entirely necessary enemy, the furniture we are forever rearranging.

 Let us summarize the principal characteristics of a rhizome: unlike trees or their roots, the rhizome connects any point to any other point, and its traits are not necessarily linked to traits of the same nature; it brings into play very different regimes of signs, and even nonsign states. The rhizome is reducible neither to the One nor the multiple. It is not the One that becomes Two or even directly three, four, five, etc. It is not a multiple derived from the One, or to which One is added (n + 1). It is composed not of units but of dimensions, or rather directions in motion. It has neither beginning nor end, but always a middle (milieu) from which it grows and which it overspills. It constitutes linear multiplicities with n dimensions having neither subject nor object, which can be laid out on a plane of consistency, and from which the One is always subtracted (n - 1). When a multiplicity of this kind changes dimension, it necessarily changes in nature as well, undergoes a metamorphosis. Unlike a structure, which is defined by a set of points and positions, with binary relations between the points and blunivocal relationships between the positions, the rhizome is made only of lines: lines of segmentarity and stratification as its dimensions, and the line of flight or deterritorialization as the maximum dimension after which the multiplicity undergoes metamorphosis, changes in nature. These lines, or lineaments, should not be confused with lineages of the arborescent type, which are merely localizable linkages between points and positions. Unlike the tree, the rhizome is not the object of reproduction: neither external reproduction as image-tree nor internal reproduction as tree-structure. The rhizome is an antigenealogy. It is a short-term memory, or antimemory.The rhizome operates by variation, expansion, conquest, capture, offshoots. Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight. It is tracings that must be put on the map, not the opposite. In contrast to centered (even polycentric) systems with hierarchical modes of communication and preestablished paths, the rhizome is an acentered, nonhierarchical, nonsignifying system without a General and without an organizing memory or central automaton, defined solely by a circulation of states.What is at question in the rhizome is a relation to sexuality-but also to the animal, the vegetal, the world, politics, the book, things natural and artificial-that is totally different from the arborescent relation: all manner of "becomings."

A plateau is always in the middle, not at the beginning or the end. A rhizome is made of plateaus. Gregory Bateson uses the word "plateau" to


designate something very special: a continuous, self-vibrating region of intensities whose development avoids any orientation toward a culmination point or external end. Bateson cites Balinese culture as an example: mother-child sexual games, and even quarrels among men, undergo this bizarre intensive stabilization. "Some sort of continuing plateau of intensity is substituted for [sexual] climax," war, or a culmination point. It is a regrettable characteristic of the Western mind to relate expressions and actions to exterior or transcendent ends, instead of evaluating them on a plane of consistency on the basis of their intrinsic value.20 For example, a book composed of chapters has culmination and termination points. What takes place in a book composed instead of plateaus that communicate with one another across microfissures, as in a brain? We call a "plateau" any multiplicity connected to other multiplicities by superficial underground stems in such a way as to form or extend a rhizome. We are writing this book as a rhizome. It is composed of plateaus. We have given it a circular form, but only for laughs. Each morning we would wake up, and each of us would ask himself what plateau he was going to tackle, writing five lines here, ten there. We had hallucinatory experiences, we watched lines leave one plateau and proceed to another like columns of tiny ants. We made circles of convergence. Each plateau can be read starting anywhere and can be related to any other plateau. To attain the multiple, one must have a method that effectively constructs it; no typographical cleverness, no lexical agility, no blending or creation of words, no syntactical boldness, can substitute for it. In fact, these are more often than not merely mimetic procedures used to disseminate or disperse a unity that is retained in a different dimension for an image-book. Technonarcissism. Typographical, lexical, or syntactic creations are necessary only when they no longer belong to the form of expression of a hidden unity, becoming themselves dimensions of the multiplicity under consideration; we only know of rare successes in this.21 We ourselves were unable to do it. We just used words that in turn function for us as plateaus. RHIZOMATICS = SCHIZOANALYSIS = STRATOANALYSIS = PRAGMATICS = MICROPOLITics. These words are concepts, but concepts are lines, which is to say, number systems attached to a particular dimension of the multiplicities (strata, molecular chains, lines of flight or rupture, circles of convergence, etc.). Nowhere do we claim for our concepts the title of a science. We are no more familiar with scientificity than we are with ideology; all we know are assemblages. And the only assemblages are machinic assemblages of desire and collective assemblages of enunciation. No signifiance, no subjectification: writing to the nth power (all individuated enunciation remains trapped within the dominant significations, all signifying desire is associated with dominated subjects). An assemblage, in its multiplicity, necessarily acts on semiotic flows,


material flows, and social flows simultaneously (independently of any recapitulation that may be made of it in a scientific or theoretical corpus). There is no longer a tripartite division between a field of reality (the world) and a field of representation (the book) and a field of subjectivity (the author). Rather, an assemblage establishes connections between certain multiplicities drawn from each of these orders, so that a book has no sequel nor the world as its object nor one or several authors as its subject. In short, we think that one cannot write sufficiently in the name of an outside. The outside has no image, no signification, no subjectivity. The book as assemblage with the outside, against the book as image of the world. A rhizomebook, not a dichotomous, pivotal, or fascicular book. Never send down roots, or plant them, however difficult it may be to avoid reverting to the old procedures. "Those things which occur to me, occur to me not from the root up but rather only from somewhere about their middle. Let someone then attempt to seize them, let someone attempt to seize a blade of grass and hold fast to it when it begins to grow only from the middle."22 Why is this so difficult? The question is directly one of perceptual semiotics. It's not easy to see things in the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you'll see that everything changes. It's not easy to see the grass in things and in words (similarly, Nietzsche said that an aphorism had to be "ruminated"; never is a plateau separable from the cows that populate it, which are also the clouds in the sky). History is always written from the sedentary point of view and in the name of a unitary State apparatus, at least a possible one, even when the topic is nomads. What is lacking is a Nomadology, the opposite of a history. There are rare successes in this also, for example, on the subject of the Children's Crusades: Marcel Schwob's book multiplies narratives like so many plateaus with variable numbers of dimensions. Then there is Andrzejewski's book, Les portes du paradis (The gates of paradise), composed of a single uninterrupted sentence; a flow of children; a flow of walking with pauses, straggling, and forward rushes; the semiotic flow of the confessions of all the children who go up to the old monk at the head of the procession to make their declarations; a flow of desire and sexuality, each child having left out of love and more or less directly led by the dark posthumous pederastic desire of the count of Vendôme; all this with circles of convergence. What is important is not whether the flows are "One or multiple"-we're past that point: there is a collective assemblage of enunciation, a machinic assemblage of desire, one inside the other and both Plugged into an immense outside that is a multiplicity in any case. A more recent example is Armand Farrachi's book on the Fourth Crusade, La dislocation,in which the sentences space themselves out and disperse, or else


jostle together and coexist, and in which the letters, the typography begin to dance as the crusade grows more delirious.23 These are models of nomadic and rhizomatic writing. Writing weds a war machine and lines of flight, abandoning the strata, segmentarities, sedentarity, the State apparatus. But why is a model still necessary? Aren't these books still "images" of the Crusades? Don't they still retain a unity, in Schwob's case a pivotal unity, in Farrachi's an aborted unity, and in the most beautiful example, Les portes du paradis, the unity of the funereal count? Is there a need for a more profound nomadism than that of the Crusades, a nomadism of true nomads, or of those who no longer even move or imitate anything? The nomadism of those who only assemble (agencent). How can the book find an adequate outside with which to assemble in heterogeneity, rather than a world to reproduce? The cultural book is necessarily a tracing: already a tracing of itself, a tracing of the previous book by the same author, a tracing of other books however different they may be, an endless tracing of established concepts and words, a tracing of the world present, past, and future. Even the anticultural book may still be burdened by too heavy a cultural load: but it will use it actively, for forgetting instead of remembering, for underdevelopment instead of progress toward development, in nomadism rather than sedentarity, to make a map instead of a tracing. RHIZOMATICS = POP ANALYSIS, even if the people have other things to do besides read it, even if the blocks of academic culture or pseudoscientificity in it are still too painful or ponderous. For science would go completely mad if left to its own devices. Look at mathematics: it's not a science, it's a monster slang, it's nomadic. Even in the realm of theory, especially in the realm of theory, any precarious and pragmatic framework is better than tracing concepts, with their breaks and progress changing nothing. Imperceptible rupture, not signifying break. The nomads invented a war machine in opposition to the State apparatus. History has never comprehended nomadism, the book has never comprehended the outside. The State as the model for the book and for thought has a long history: logos, the philosopher-king, the transcendence of the Idea, the interiority of the concept, the republic of minds, the court of reason, the functionaries of thought, man as legislator and subject. The State's pretension to be a world order, and to root man. The war machine's relation to an outside is not another "model"; it is an assemblage that makes thought itself nomadic, and the book a working part in every mobile machine, a stem for a rhizome (Kleist and Kafka against Goethe). Write to the nth power, the n - 1 power, write with slogans: Make rhizomes, not roots, never plant! Don't sow, grow offshoots! Don't be one or multiple, be multiplicities! Run lines, never plot a point! Speed turns the point into a line!24 Be quick, even when standing still! Line of chance, line


of hips, line of flight. Don't bring out the General in you! Don't have just ideas, just have an idea (Godard). Have short-term ideas. Make maps, not photos or drawings. Be the Pink Panther and your loves will be like the wasp and the orchid, the cat and the baboon. As they say about old man river:

He don't plant 'tatos Don't plant cotton Them that plants them is soon forgotten But old man river he just keeps rollin' along

A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, but the rhizome is alliance, uniquely alliance. The tree imposes the verb "to be" but the fabric of the rhizome is the conjunction, "and ... and ... and..."This conjunction carries enough force to shake and uproot the verb "to be." Where are you going? Where are you coming from? What are you heading for? These are totally useless questions. Making a clean slate, starting or beginning again from ground zero, seeking a beginning or a foundation-all imply a false conception of voyage and movement (a conception that is methodical, pedagogical, initiatory, symbolic ... ). But Kleist, Lenz, and Büchner have another way of traveling and moving: proceeding from the middle, through the middle, coming and going rather than starting and finishing.25 American literature, and already English literature, manifest this rhizomatic direction to an even greater extent; they know how to move between things, establish a logic of the AND, overthrow ontology, do away with foundations, nullify endings and beginnings. They know how to practice pragmatics. The middle is by no means an average; on the contrary, it is where things pick up speed. Between things does not designate a localizable relation going from one thing to the other and back again, but a perpendicular direction, a transversal movement that sweeps one and the other away, a stream without beginning or end that undermines its banks and picks up speed in the middle.


 “It is comforting, however, and a source of profound relief to think that man is only a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge, and that he will disappear again as soon as that knowledge has discovered a new form.”

―from THE ORDER OF THINGS: An Archaeology of the Human Sciences (1966) by Michel Foucault

 29 June 2018

"Order of the things" Michelle Foucault

Words that has changed my life

This word of Foucault that I met at the end of my twenties changed my life fundamentally.
We can take off the "human" that is imprinted by the modern society, it turn on the light of the huge hope.
This word has become the guidance that I was able to reincarnate as a Butoh dancer in my 40's.
Because the Butoh, created by Tatsumi Hijikata also pursures to take off "human", and it opened up a practical way to become Life.
In those days in my twenties, what should we do exactly after the death of "human", I had no idea about it.
I was wandered with searching in the darkness of body, it's no way to be the "Super human" as if in Nietzsche.
However, after 20 years of retreat in Himalayas, the practical enlightment that we take off "human" and at the same time, the way of "De-self" to take off the "Ego", "Self identity" and "Personality" become transparent gradually yet slowly.
Hijikata also had pursured the way of "Butoh of Life" that "Sinking down to the relationship before the differentiation of self and others".
The way to be Life was becoming transparent.
Also those are resonate with the "Rhizome" that overcome the hierarchical Tree orders of Deleuze's thought who was Foucault's ally.
To take off Human, to become Life and to become Rhizome is Oneness.
Because Life is Rhizome, neither the center nor the upper and lower.
Foucault, Deleuze and Hijikata are deeply connected to one and are an eternal forerunner for us to become Life.

Take off the modern "human illusion" and become Life!

Now, I can say that with confidence.
Friend, it is not yet late.
Let's become Life desparately!

Read more "Sinking into the darkness of body"

5 September 2018 

Jo-Ha-Kyu Co-creation method

We proceed a Rhizome revolution of subbody Resonance Butoh method day by day.
We eliminate the Tree type hierarchical way of creation which a choreography directs the creation, we orient the Rhizome type co-creation. Tree type choreographer or director is old fashion and disturbs the rebelation of the Life Resonance of infinite creativity of Life.
Everyone can open the infinite creativity of Life by Medimotion conditioning and invent new Qualia to developing the Jo-Ha-Kyu of co-creation by initiating, promoting and following and co-creates total theater together as a Rhizome.

Jo-Ha-Kyu Co-creation

1. Jo (Beginning): Someone (A) initiats the beginning Qualia by Dreaming Share method. Other dancers resonate with it in various resonance patterns.

2. Ha 1 (Break 1): Someone (B) brings in new Qualia of break 1. The others resonate and switch the scene.

3. Ha 2 (Break 2): Someone (C) brings new Qualia of break 2. The others resonate and switch the scene.

4. Ha 3 (Break 3): Someone (D) brings new Qualia of break 3. The others resonate and switch the scene.

5. Kyu (Climax and ending): Someone (E) brings in the new Qualia for the last climax. The others resonate with it in various ways and co-create the ending.

The essence of this method is that everyone invents and brings in new Qualia and causes the world transformation by the resonance.
Sometimes one or more people take the initiative by bringing in new Qualia.
If you bring new qualia with a couple of people, the momentum may become stronger.

Read more "Sinking into Darkness"



5 September 2018 

Questing the inevitable Butoh

Digging the deepest Life Resonance that has been forgotten

How can I break down the step-up education theory that I was trapped?
It is the inevitable penetration of forgotten Life Resonance.
While searching for the necessary Butoh of one's own, to quest the deepest Life Resonance that has been forgotten, marginalized and dissociated.

Ask your Life, "Why do you dance?"

Ask the Life instead of the ego or self.
They have been lost the proto Life Resonance by the daily repetition of the Qualia of self identity.
"I'm strong, I'm kind, I'm right, I'm polite, I'm intelligent, I'm sensitive, I'm creative, I'm, I'm, I'm......"
That repetition has destroyed the creativity of Life.
Take off all condition of the human; identity, personality, sexuality, nationality, etc.
If you have cleared up enough of them it will lead you to not extend ego or self to the world.
Your Life must recover the most fundamental Life Resonance with such a weakened, disabled, collapsed people. Not only people, but also all kind of living things.

Dig the deepest forgotten Life Resonance. It must be your inevitable Butoh.

Ah, Minamata!

Today, while studying techniques of Kugutsu bodies and Vaporized bodies, we continue to quest inevitable Butoh of Life for each.

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Invention of the Life Resonance of Group cell
4 September 2018 

Cobody Dreaming Share

Today we did the first "Cobody Dreaming Share".
After opening various Hidden skins, we try to remember the forgotten memory of cobody or co-being. During four billion years Life history, our Life experienced so many resonance patterns of Life Resonance.
The first 3 billion years, Life was the one-celled creature.
1 billion years ago, Life invented the new resonance pattern of the group cell. It was one of the greatest inventions that lead to the multi-celled creature in the Life history.
Each cell could resonate properly in the subtle distance between the contact and not contact that we named the placenta layer Hidden skin in the subbody method.
(This was the missing link that makes able to realize the <Cobody Dreaming Share>.)
We practiced it, and we tried to remember the forgotten memory that we were resonating in various cobodies as diverse creatures.
We share each one's cobody dreaming with movement and minimum words.

Unfolding Another Dimension

Diverse cobody images came out one after another. As if another dimension is unfolding.
This is a characteristic phenomenon of Qualia in the dreaming.
From very subtle Qualia that is almost nothing, a specific world unfolded and appear as a special world.
We enjoyed this interesting process.
We will continue this sharing a lot in various ways.
We will get so many cobody resonance patterns, and able to use it in our co-creation flexibly.

Today, the following <Cobody Dreaming Share> we got.

Vishal: Mother's womb
Nabela: Breaking seed
Maria: Spiderweb
Tzaddi: Insect Liberation
Natalia: Ancestor drinking tea in the garden
Gora: No name
Ruusu: Summer rain
Prerna: Snowfall
Mohet: Snakeskin
Luv: Plague
Zalina: Hermit Crab
Varun: Ulal King statue
Samer: Unsafe workspace

One after another 13 unique cobody worlds were appearing.
To see it was as if we were in a magical world.
I was surprised that the creativity of Life is truly infinite.
All of these cobody images will be shared by this year's co-researcher as the common property. They are so lucky that can collaborate based on such rich materials.
So, finally, we could complete the subbody=cobody co-creation method after 20 years struggle.

Read more "Sinking into Darkness"



2 September 2018 

Rhizome Revolution of Subbody method 1

From this summer, we undertook fundamental reform of subbody technique.
I realized the necessity as I read the practical guide again and tried to re-edit.
It is necessary to have a fundamental revolution.

Let’s become the free traveler between Rhizome=Qualia and Tree=Language realm.

For the travel in the darkness of the body,
we need to know the fundamental difference between the daily body world and Qualia stream in the subconscious body (subbody=cobody) realm.

The difference between Qualia and words

Let's give some big differences.
Qualia is the resonance of life. Resonance has no subject or object, it happens from either.
But when we try to put it into words, the words can not leave from its own grammar of subject predicates.
It transforms fundamentally to another thing.
There are no numbers and no order in the Qualia. However, by the reasons of easy to understand, if we order the numbers, we can not avoid the fundamental alteration.
Since ten years ago, I have written down the new technique born every day in the sentence.
And while we ran these careless mistakes, I could not notice it well.
Under consciousness, there was no fear of being (somewhere different?).
However, the word was a big stretch and it proceeded across it.
Let's confirm the difference between qualia and words more.
Language goes straight. The description goes forward and it is arranged under a hierarchical order.
However, Qualia resonate in a non-dual multidimensional world, so there is neither before nor back.
There is neither above nor below. There is no hierarchical order or anything.
The part of Qualia is always away from the whole, flowing everywhere,
It can resonate with anything else and become one. Parts will always be the whole,
One whole can become a part of something else at any time.
There are no differences between whole and part, kind and individual in Qualia. Based on sorting them none of the usually known logic can be used. Qualia jump wildly over those constraints with confidence, Qualia transform freely.

To be Subbody=cobody and to become Life

We try to take off all human conditions; Ego, Self, Identity, Sexuality nationality and so on, and we try to become Life.
It is not so easy, very hard rocess to meet many hardships in the process.
We need to one Life to overcome all issues that we will encounter.
For it, we need to share 3 important maxims.

1. No talking
2. No absent
3. No late

This is the tradition of the Subbody School for these 15 years.
When everybody respect and shares these 3 rules as own maxim, we can be the co-being as the co-midwife, co-researcher and co-creator.
To share everything that happens in the class and try to find the best resonance pattern, it is the necessary process to become Life.

Let's enjoy it with becoming subbody-cobody and share each one's finding. This is only one place that we become co-reseacher, co-midwife and co-creator as Life.
There is no other way to quest the mystery and secret of Life.

Read more "Sinking into Darkness"



Practice Guide
Now we are renewing the Practice Guide.
It will be a revolution of the Subbody method
from previous Tree system toward Rhizome!
My long dream come true after 20 years struggle.
Slowly we share it.

Rhizome Conditioning
2 September 2018 

Rhizome Conditioning

1. Sit at a quiet place and listen to subtle Qualia in and around the body. Let legs free and your head is hung by a string from the sky.

2. A part of your body (ex. 5th chest vertebra) is pulled by a string forward and the other vertebras follow it, and backward, too.

3. Various parts of the body are moved in various directions slowly. Find the most comfortable speed and size.

4. Each part of your body is released from the daily role, the head becomes the supporting leg and legs become dancers.

5. Each part of the body is deterritorized from the daily fixed position and starts dancing.

6. It happens beyond the border of self and others, someone’s head becomes your stomach, and your arm becomes someone’s leg.

7. Dance in the between, behind, over, under, near and far.

8. Everyone’s body becomes the Rhizome that is able to connect freely and separate flexible.

9. Each part of the body remembers the double Resonance Qualia; memory, dream, imagination, illusion, the emotion of human relationship according to the special connection with the others.

10. Enjoy the free Life Resonance as the Nomad and Rhizome with taking off the daily human conditions and judgment.

Read more "Sinking into Darkness"



26 August 2018 


Medimotion that is a meditation while moving the body is the backbone of the subbody method.
Traditional meditation blocks the body in a specific pose and meditates while closings body and movement channel. It tends to be the meditation biased toward thinking channel.
On the contrary, we meditate while opening all channels including body and movement channel. The medimotion is the meditation that is to become Life.
To meditate means to listen to subtle Qualia in the darkness of the body. Qualia is everything that Life resonates. You can feel very subtle something which you can’t distinguish what it is; mixed with the memory, imagination, sensation, dream, illusion and so on. At the beginning of the listening, you will meet the non-dual Qualia beyond any channels.
When listening to each part of the body while moving the body, you can notice that various Qualia beyond the channel are resonating multi-dimensionally.
The Qualia of the physical movement which is going on now awakens the Qualia of the forgotten cell memory which is hidden in each part of the body, and it resonates doubly.

Double Resonance

Focus on listening to this double resonance or multiple resonance of the various Qualia.
Stop thinking with moving faintly and become the subconscious mode body (subbody) that can listen to the multilayered resonance of Qualia flowing in the body. This is the purpose of the medimotion.
When you become the subbody mode, just follow the spontaneous movement by your whole mind-body without any judgment. The judgment belongs only to human society. In the Life realm, nobody can judge. Anything is OK, whatever your Life wants.

Enjoy your subbody creation, the creativity of Life is infinite. Continue with it every day.

Read more "Sinking into Darkness"



September 1 2018 

Report of the 20th year of Himalaya

Rhizome Lee


It came to Dharamsala at the foot of Himalaya Mountains in northern India and it has been 20 years this year.

Why did I come to the Himalayas?

It was because I could not listen to the darkness of the body in Japan. Too much information, the voice of Life was masked out, I could not hear it no matter how much I tried to hear it. I wanted to release my Life in a quiet environment and listen to what Life is seeking.

In 1998 I left from the residence of Kyoto that I lived so far, and I visited my friends of choreographers and dancers all over the world who met in a network of artists called Dancing Commune, which I had been making until then, I did three years world tour with performances and workshops. It took about 20 countries. I liked the town of Dharamsala that visited during the tour. It was because there was nothing but a mountain. I borrowed a land on the mountainside with a contract for 30 years and built a butoh school called a subbody resonance butoh school. It is thirteen years since I opened the school. Graduates exceeded 1,000 altogether.

Every morning, we begin to become a comfortable subconscious mode body (called a subbody) that can meditate while slowly moving the body, listening to the darkness of the body.

In classical meditation, the body is fixed to the Kakkafuza position and so on, but here we leave the body as it wants to move. When it comes to a sufficiently pleasant subconscious mode, unexpected movements that have been forgotten come out one after another from the body. That's the subbody.

Since the subbody is a Rhizome which connects freely and separates flexibly with other subbodies whenever and wherever.

It is the characteristic of the Resonance Butoh School that co-creates the dance through such resonance of Life.

The presence of fixed choreographers and directors is unnecessary. Such things are infinitely small compared to the infinite creativity of Life. In order to fully open the creativity of Life, it is important not to push the individual's power too much. Butoh is not originally an expression of ego or self. Swallowing such things instead of spitting, and glare the world by the Rock Cicada's eyes "("Sick Dancing Princess"), that is the Butoh that Hijikata quested.

Here, we thoroughly take off the human and the self. It is indispensable in order to create Life Resonance Butoh transmitted from the Life to the Life. Such a thing could not be noticed in mind and body covered by information floods in Japan and Western Europe.

Just listen to your Life every day and ask "What do you want to do the most?" Twenty years have passed. Finally, we stopped everyday thinking and found a Life Resonance method that keeps listening to our Life. It is an epoch-making technique that allows anyone in the world to live as an art creator with just one body. We would like to extend it all over the world. Fortunately, many young people have applied to enroll from all over India and the world.

But now we are faced with an unprecedented crisis. Many of them are young and poor, and they can not pay tuition. Until last year I have compensated for school deficits with savings I got when I was young. However, its personal funds also bottomed out this year. From here, in order to accept more young people and to take the first step, it is essential to establish a scholarship system with your support. Please support the Life Resonance Butoh.

For details, please wait for a while to visit the Life Resonance Art Fund site (under construction).

Read more "Sinking into Darkness"



 Cobody Dreaming Share
7 August 2018 

<Cobody Dreaming Share>

  Finally we got how to share each one’s forgotten cobody Qualia after twenty years trial and error.
The missing key was hidden in the method of conditioning.

1. Conditioning for Cobody Dreaming Share

Resonate each other with various Hidden Skin distance
-Placenta layer: Between touching and not touching
-Womb layer: Become twin fetus in the Amniotic fluid
-Mother’s body layer: Relationship in the individual distance
-World layer: Resonance in the distance
-Physical contact: Contact with various pressures

2. Dreaming of cobody resonance

Remember the forgotten Qualia when we were one cobody; a swarm, flock, herd, school, crowd.
Imagine the most interesting cobody group movement with a Jo-Ha-Kyu.
Find the best place to share the cobody.

3. Cobody Dreaming Share

Guide others to your cobody Qualia by the movement and the words at the most interesting place.
The others follow it.

Finally we got how to share each one’s forgotten cobody Qualia after twenty years trial and error.
It was hidden as so rich and diverse forms in our darkness of body. It was just that we didn’t know how it is possible to activate it.
Only through one day experiment, we got so interesting cobody Qualia as the following;

1. Skin Eye Cobody: Lee
2. Strange Caterpillar: Adam
3. One Cell Organism: Lila
4. Jellyfish: Christian
5. Birds Song: Piu
6. Bee: Linda

Co-Researchers of the second semester 2018 are so luckey, because we can share so rich cobodies and able to use them in each one's creation of the 17th Butoh Festival.

Read more "Sinking into Darkness"





5 August 2018 

"Rhizome" An fateful encounter with a thought which decided my Life

It was


22 July 2018 

Why did the daily body lose the creativity?
Why subconscious body (subbody) has infinite creativity?

In Sri Lanka, I completed writing Japanese version of "The Butoh".
While writing it, the fundamental logic of the subbody method came out transparently.

The reason why the subbody had to be submerged in the darkness of the body after being dissociated from the daily body, was because the subbody had Qualia that could not resonate well with this world.
The daily body gathers only Qualia that can resonate well, and repeated infinitely, and eventually developed a strong ego, identity,
- "I am strong", "I am kind", we knit a story of self-identity by gathering good Qualia that can affirm ourselves. And we try to reinforce the same story of ego every day.
All the Qualia that have leaked from it are driven to the darkness of the body as a subbody=cobody. The Qualia that resonate only once, know what is unacceptable in this world, sink deep into the darkness of the body without repeating its anymore.

So, to encounter the subbody the followings are important;
1. Search Qualia that Life could not resonate well.
2. Find Qualia that has never been repeated.
3. They might be immobilized in Qualia of <Kan (disability)> such as stiffness, blockage, habit, disability of mind and body, and are hidden somewhere in the darkness of mind and body.

- It is especially important to focus on these three points.
It was these Qualia that Hijikata Tatsumi kept collecting through life.

I was able to encounter this solution finally by closely observing the branch point between the subbody and the daily body.
While tasting those Qualia collected by Hijikata by the body, their common points soaked into the body naturally.
Deleuze which I have been reading for many years also helped in this understanding.

"The possibility of future creation is buried in things that have never been repeated" ("Difference and repetition")

Deleuze observed the daily body rather than the subbody and found the fact that "I", ego and identity repeatedly wear the same Qualia infinitely. They are only of what was old second-hand Qualia. It is arranged by tree-like hierarchical order. There is nothing fresh. Daily bodies are alienated from creativity because they are repeating the same thing.
With this, the reasons why the daily body are alienated from art and creation were also clarified.
And also why creativity is packed only in Life of the subconscious body.
I knew it from the experience of the body, but I could not explain logically until now.

Deleuze, thank you.

With this, we can add some new to the points of ordinary "Sati" (awareness that can be obtained by listening to the subtle Qualia).
Until now, we focused to be aware of when inner language talking comes up, we notice and stop it.
When we are caught in emotions, not expressing it as it is, but swallow it and wait for fermentation to a novel creation in the body.
Instead of obeying such a large inclination, we focus on the listening to some sort of uncomfortable Qualia that Life can not resonate well.
In addition to these, even when it is repeating the same Qualia, do notice it and stop immediately.
Life is short. It is unendurable to keep on repeating the same thing and getting old.
Stopping it at that moment and continue listening to the subtle Qualia of the three points above.

Let's keep listening with the subbody mode as possible as long, possibly for 24 hours.
This is the secret to living the life of full creativity every day.

Hijikata became the subconscious body and found the important Kan (disabled) Qualia to listen to.
Deleuze continued to criticize the daily body of the contemporary world and had reached the solution.

A half century passed since I started the struggle with the both. And finally, the two became one.
Both of them tried to bring novel creation to mankind. It is natural that they are connected.
However, this is the first time that the logic of the connection is discovered and they become one by resonance.
Both of them tried to bring new creation to mankind. It is natural that you are connected.
However, this is the first time that is found the logic of the connection and discovered that it will become one by resonance.
The Tree Rhizome method that freely travels back and forth between daily consciousness and subconscious body is finally obtained a rich result.

It will open up a brilliant way that anyone can do.
Let's spread the Life Resonant Art to the world and turn everyone's life into art.

Read more "Sinking into the darkness of body"


  Flower of Kan (Disability) | Rhizome Lee |
8 July 2018 

Butoh Score of "Kan walk"

I re-ordered the Kan Qualia that Hijikata collected for the first trial.
Kan is what your Life is not able to resonate well.

[1st stage: Kan walk]

1. Ash walk  灰柱の歩行

Carry your Ash body that was burn out and became standing ash pole as quiet as possible.

2. A bug walk on your right arm

3. A slime crawl up on your left inner thigh ナメクジが内腿を這い上がる

4. Breed a dust with eyelashes  まつげで埃を飼育する
A dust stop on your eyeslash. Shake the dust as your baby and breed it.
5. Plants crawl the temple, Birds fly away from the temple 

6. You disappeared into the haze もやの中へ消える

7. Whereabouts of the body is placed into body
“Whereabouts” is a special term of Hijikata. It means the whole process that smoke or steam is going up and disappearing into the air. Place the whole process of the disappearing. Some parts of your body are vaporizing.Your body becomes the “Vaporized body”.

8.A strange person approaches you and pinches your skins and memories  つまむ奇妙な人

9. Stain on the wall infinitely

Your body stains on the wall infinitely and you becomes a part of the wall.

10. Squeaky air きしむ空気

Imagine that your space is pressed strongly and the air makes the strange sound. Dance the response of your Life.
Remember the first desaster during your birth that the womb started shrinking suddenly.

11. Crack ヒビが入る

12. Being gouged and melt  えぐられて溶ける

“Being gouged” means that the flesh is cut and made a hole by a sharp knife. And the part is melt down. Imagine it by your body, and dance it.
This Qualia is also most universal desonance Qualia between Life and the world. In spite of any hard experience, Life can overcome it in time.

12. Wire in the body 体の中の針金
Someoneinsert a wire between your fingers and tows, the wires bend, streach and twist and entangled.

13. A locomotive passes through the inside of the body

14. A snake crawl up the waterways from your intestines to your throuat slowly 内臓の水路を上に辿る

15. Rock cicada’s eye 岩の蝉の目玉

Cicada's eye is completely no movement as the rock.
Your eyes become the rock, and glare back the world.
We inhibit to express, but the body which accepted many disasters and deformed into an unique form. Glare back the world with showing the deformed part.
Invent your own "Rock Cicada's Eyes" as multi-resonance Life.
This is the symbol of the "Kan Flower".

16. Find the novel ending which you have never done

[2nd stage: Yor own Kan Flower]

Remember yor own Qualia that Life couldn't resonate well in your life, in your dreams, in your illusions, similar with Hijikata's Kan Qualia.
Arrange them and create your own Butoh Score of Flower of Kan.
You can use and arrange the following Qualia flexiblly.

1. Kan Qualia that is not able to resonante well

The itchむずがゆさ
Blurred flowers wander
Blurred means to become unclear or less distinct.
Bugs crawl on your senile hand 手ぶれの腕に虫が這う
Multi-Layering of nerve mescaline
 When you put a mescaline injection on your finger, the finger starts a shivering or swaying with illusions. And not only a finger, but also the other parts is injected, many layers of shivering are overlapped. Dance this multi-layering illusions and shivering.

Trapped in the mesh of the moment 一瞬の網の目に捕捉
Rain to diarrhea
A doll smolders Busubusu

Consisting by margin
Viewed by the bird's-eye
Attacked by light
Spider web of light
The ankle bitten by rabbit
The internal organs hanging out of the body
Breath is sucked up

Transformed into the face of the grave keeper 墓守の顔に変貌
Draft that permeates the back teeth
Open pelvic tail grows
Old woman being kissed
Surrounding exactly what ambiguous
Touch of a fingertip to trace the grain
Being confined to the crystal
Passing of the myriad gazes
Gaze to split the space
Wander the inside of the ear
Burnt feathers 焦げる羽
Locked in a small room in the chest
Pulling pus loose
A fool being chased
Girl approaching from a distant forest
Rising up with the darkness gradually
Leaves fall in the cranium one by one 頭蓋の中に木の葉がはらはらと落ちる
Retracted scab 引きつったかさぶた
Retracted means to have been cramp and shrunk.
Each part becomes "Kan" flower.

Man of pock あばたの男
Pock is pockmark of skin.

Firm with remaining blurred ぶれたまま固まる
Child drooling
internal organ dried up completely
Person with a Gibbs
Goya face of pus
Face of the pomegranate teeth ざくろ歯の顔
“Pomegranate tooth” is random teeth like the fruit of pomegranate.
Face of the dried flower ドライフラワーの顔 
Face being put painted inside
Face blurred forward
Right eye and the left half of the face is melting
Dark sooty face
Face of the forest
Forest” is a special term that is a metaphor of deep secret and mystery of Hijikata. Imagine the native forest that no human has changed. It is multi-layered by diverse plants and creatures, and became a deep mystery no one knows.
Become a multi-layered face of diverse Qualia.

Origin of nail and teeth 爪と歯の起源
Small shrine of the eyes and mouth cavity
Absolute saveless face appears
Raisin eyes of an old woman
Man dividing meat

Being itself becomes 'Kan'

'Kan' developed to the whole body. Being itself transforms 'Kan'.
The final condition of 'Kan'. Hijikata called it "Farman"

Framan bedridden for 25 years 25年間寝たきりのフラマン

Torn God 引き裂かれた神様 
Tear means to pull apart with force. Imagine that your soul has been torn.
No human condition has remained. In each house had like this "Torn God" before the WW2 in Japanese country villages. Because there were no hospitals and no mental hospitals.
Then Hijikata boy watched like this "Torn God" and "Farman".

Totally he called them "Sick Dancing Princess".
The name is beautiful but actually, like these.
In the childhood, pure Life Resonance happened between him and them, and he was merged into them.

Remember when you met disabled people at the first time

I was born after 3 years of the Second World War. In the town many disabled soldiers. And keloid people by the atomic bomb in Hiroshima. The half face was purple and meltdown.

At the first meeting immediately my Life became the same. Simultaneous Life Resonance happened.
After the second time, the Ego divided self and others. But before Ego built, the immediate Life Resonance happens. This is the miracle of Life Resonance.
Research the experience which you don't resonate well and dance it.
Hijikata collected many Qualia that the Qualia that Life could not resonate well have become the whole being is malformed as the following;
Stunted young grave keeper 
Sloppy girl
Looming horse 
Ghost playing the organ
Girl of cataract 
Stuffed Framan
Framan is a near death person.
Imagine that it became a stuffed being, and dance it.

Ghost of Michaux's chicken ミショーの鶏の幽霊
Henri Michaux is a French poet and painter. He drew unique paintings like by the ink drops. Imagine that a ghost of chicken drawn by the ink drops.

Ghost of Michaux's chicken.jpg

Find out a shape of Ghost of Michaux's chicken, and dance it.

Collapse of the beggar 乞食の崩壊
Smoldering doll 'Busubusu'
Face of a bear on the back of the mask
Pigeon-toed gecko
Stuffed spider's web 
Generation and dismantling of doll by soil
People who are made
​​of dust 埃でできている人
Who have been put paint on the wall

A ghost with having by its mouth a child's face  子供の顔をくわえた幽霊

Cow of density  密度の牛
A dangerous person who is likely to collapse  崩れてしまいそうな危うい人

Pope who has the steam of pus  湯気の膿の衣を引っさげた法王

A dark bottle trying to stand desperately  暗い瓶が危うく立つ

Auschwitz overlaps insects dancing on paper  紙の上で踊る虫にアウシュビッツが重層する

A girl wrapped in the dark behind  背後の闇に包まれている少女

These are extraordinary bitter waters that will catalyze to let the subbody=cobodies Butoh of Life from the darkness of the body.
Over the years it will take time to figure out how to dance these Qualia that Life can not resonate well.
Until the day that your <Qualia of Kan> will spring out from your body.
Until the day when people around the world start dancing of each Kan Qualia that they can not resonate well in every place on the planet!



 “It is comforting, however, and a source of profound relief to think that man is only a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge, and that he will disappear again as soon as that knowledge has discovered a new form.”

―from THE ORDER OF THINGS: An Archaeology of the Human Sciences (1966) by Michel Foucault

 29 June 2018

"Order of the things" Michelle Foucault

Words that has changed my life

This word of Foucault that I met at the end of my twenties changed my life fundamentally.
We can take off the "human" that is imprinted by the modern society, it turn on the light of the huge hope.
This word has become the guidance that I was able to reincarnate as a Butoh dancer in my 40's.
Because the Butoh, created by Tatsumi Hijikata also pursures to take off "human", and it opened up a practical way to become Life.
In those days in my twenties, what should we do exactly after the death of "human", I had no idea about it.
I was wandered with searching in the darkness of body, it's no way to be the "Super human" as if in Nietzsche.
However, after 20 years of retreat in Himalayas, the practical enlightment that we take off "human" and at the same time, the way of "De-self" to take off the "Ego", "Self identity" and "Personality" become transparent gradually yet slowly.
Hijikata also had pursured the way of "Butoh of Life" that "Sinking down to the relationship before the differentiation of self and others".
The way to be Life was becoming transparent.
Also those are resonate with the "Rhizome" that overcome the hierarchical Tree orders of Deleuze's thought who was Foucault's ally.
To take off Human, to become Life and to become Rhizome is Oneness.
Because Life is Rhizome, neither the center nor the upper and lower.
Foucault, Deleuze and Hijikata are deeply connected to one and are an eternal forerunner for us to become Life.

Take off the modern "human illusion" and become Life!

Now, I can say that with confidence.
Friend, it is not yet late.
Let's become Life desparately!

Read more "Sinking into the darkness of body"

  24 May, 2018

Butoh transmitted from Life to Life

What is "Butoh called by the name of Life" that Tsutsumi Hijikata left behind like a will?
I've been exploring it for over 20 years as my life work.
This year, I fought and struggled to overturn the subbody method because it was still bound by the dualistic constraints so far.
At last, something like a subtle light came into sight.
Butoh of Life is nothing but butoh that is directly transmitted from the Life to the Life.
And for that, dancer should take off "Belief as the human" and try to become Life.
There is nothing other than to dance the inevitable things.
If we can dance the most important thing for Life, at that time the Butoh that is transmitted directly from Life to Life would emerge.
What do we need to meet for it?

1. Listen to the Life at each moment every day,
and ask to your Life.
"What do you want to do the most?"

I have kept asking the question everyday for the last twenty years.
This is the basic in the basic task for becoming the Life.
Without this, nothing happens.

Just keep listening to Life.
I do not know what is Life.
It is one of the biggest mysteries I've met.
Because Life is a huge complex mystery and secret.
Thinking ordinary, Life has three phases.

(1) Life of an individual

If I die, it's just the end of everything. I was caught by that in the past.
However, we can not catch the Life only by it.

(2) Life of cell

Our body consists of 100 trillion cells. Every single cell has Life. And each cell has been living for 4 billion years. Each one has Life memories of 4 billion years. Our beings are the resonance body of 100 trillion cell's Life.

(3) Life as a Life Tide

Not only our human cells but also all living cells contnued to live for 4 billion years. From the origin cell that was born 4 billion years ago to today, with differentiated into various species and changing shapes. It is a single huge Life that has to be called a big Life Tide. Life is ONE.

Life needs to be regarded as integrating all three phases.
Listen to the Life and keep listening.

2. Remember the Qualia that your Life could not resonate well.

Remember the Qualia that you could not resonate well in your life.
Most are dissociated and can not be remembered.
Among the things that you can not remember, there is the most important thing to dance lurks.
They may be lurking in forgotten dreams, imagination and delusions.
Remember them desperately.
And continue to dance it.

I have been focusing on it since this spring at the subbody Resonance Butoh.
However, it is not easy to encounter those Qualia that have been dissociated by Ego and Self-organization.
We still need to continue more.
This year it would be the first year of the attempt.

3. Why the Qualia that can not resonate well is important?

Because the secret of the birth of each subbody = cobody is hidden in that Qualia. Everyone is born and grows up as a "human", everything that can not fit into that Self-organization successfully is dissociated from self and submerged in the bottom of the darkness of the subconscious body.
If we explore the Qualia that could not resonate well with this world, we can inevitably encounter the secret of occurrence of subbody = cobody, and the secret of how consciousness, subconscious and unconsciousness had to be separated.

It is a treasure house where the mystery and secret of Ego, Self, Subbody=cobody and Life lurk.
The secret of why we must live by being captured by unknown something is hidden.
If we do not solve the mystery, we can not be freed from the prisoners of the Ego and Self.
Just dancing it and continuing to transform it into unique creation is the way to the release.
It is a narrow and steep road, but this road is worthy to try.

The Butoh of Life is to connect your Life trying to follow its path at the risk of Life, with other Life through Life resonance.

This year's Butoh festival's last performance "Malformed Fever " will be a monumental piece to tackle it for the first time.
How much can we deepen it? No one knows.
Just the Resonance of Life will decide it.
Anyway, it's the way we finally got after the struggles of the decades.
Let's walk slowly.

Read more "Sinking into the darkness of body"

  22 April, 2018

How to Liberate from the biggest Archetype, Ego

In order to fully demonstrate the creativity of life, it is necessary to get out of the ego, superego, and Archetype.

The fact that modern people cannot exercise the creativity of life is,
It is because he/she is forced to have an ego and he does not know how to stop his ego.

Nothing becomes obstacles to creation as much as ego and superego.Because they are captured in dualistic judgment.

In order to quench ego and superego, first of all, we have to know exactly what they will show up.

People are unconsciously captured by ego and superego in daily life,

it is because we can not control it without knowing the other party.

Let 's describe the outline of how the ego and superego emerge.  

The ego's appearance

The ego generally appears in the following form.If you notice it, immediately say hello and break apart.  

1.    Private Territory Owner

Ego is always territorializing like "This is my area". It is driven by the urge to secure his own safety zone. The ego is captured by anxiety. Found a quiet environment that you can become alone.
"You do not have to worry. Because no one here will try to infringe you, here."First of all, you can find an environment that makes your ego relieved and calm. It is important first.

The ego is stuck with the urge of private ownership "This is mine". These tendencies that we were born and raised in a capitalistic society of private property system. However, that is not the only way human beings are. I leave the attachment of my ego and descend to the land of Life.

There is no boundary between self and others, and every life is just resonating in the world. I will let the ego know that there is such a different world. 

2. Self-justificator

Ego always keeps on justifying himself. I can not live with confidence without awareness that "I am not wrong".

There is nobody in the world of Life, such as making a dualistic judgment of right and wrong, such as right and wrong. I do not have to keep busy, self-justification etc. Because I am convinced that it is a human being, I am driven to such work.

3. Story maker

For that reason, the ego always keeps making his own story. As long as you believe in your own story, you can always be in your own right. Even if that is just my own excuse, the ego does not notice such a thing. Because I can not support myself as soon as I noticed it.
You never do such a stupid thing.

4. Pretender to be a good person

I am dressing my ego all the time. I am busy showing myself well.For that, we must first believe in stories we make up first.The ego knows somewhere a lie always cold wind is blowing. Just do not desperately look for it. I am convinced that I am myself as being a "nice person."

5. Ironic critique

When the ego sees a person, he always looks down. I am watching whether the fantasy of the ego stories that others believe has not come off. Only a careful look that does not overlook the collapse of others' story. It will save my own story of the story from collapse.

6. Emotional

Ego is always regulated unconsciously by the condition of the body and emotions rising from it. However, I do not notice it on my own. Ego's actions are all inspired by this unconscious emotion. Since that urge brings only a faint signal. It is hard to notice with everyday consciousness. It is not until you stop your ego consciousness.
The unconscious connection between the ego and the body and emotion appears transparent. 

How the super-ego appears

Ego is still cute. Compared to the unrelenting denial of the superego.

Superego is a type of <original type> living in the collective unconscious of deep layers. Its power to control is powerful, and it can not be ruled out if it is captured. 

7. Public prosecutor

A judge like a prosecutor or a judge is the biggest feature of the superego. Wielding around the dualistic judgment of a narrow "good/bad" I try to decide my own black and white. Then deny and truncate without mercy. There is no bad existence of prosecutors who believe that they always belong to justice. However, prosecutors and judges are alive among anyone. Every time it comes out, keep on quitting. Perhaps super-ego is a type of former type to be described later, I am trapped by it before I notice it.

In learning how to go out with <Archetype> living in the deepest layer of unconsciousness. I gradually calm down the captivity by the superego.

8. Self-critic

There is superego which only ironic and cynical criticism is done. Always stick to new attempts at negative criticism. I try to ruin everything. It is a timid, most conservative denier to the new transformation.

9. Justice guy

The end of the prosecutor and judge is righteous Han. Believe that I am right and swing. There used to be many men in old days, but now it got less. On the contrary, I often came across the case that I possessed in women's animus. This righteous man is alive in everyone.I have also fought with a guy who faces Justice in my life for life, but I cannot stop my breath. Especially I am not aware that I am infiltrated by Animus. Feminism women are eaten by eating this super-ego called Justice Han. It is pleasant to sexuality to associate with Animus of justice. Once you get killed you will not be able to escape, it is the same as when men are captured by anima.

But because it is unconscious, every feminist woman, Anima's captive man can not notice it. It is still the biggest obstacle for me.

Other Archetypes

Many Archetypes live in the darkness of the body besides ego and superego.

10. Shadow, Not me, Dissociated personality

All Hidden bodies are the archetypes, too. As same as the surface identity or character of Ego is Archetype.

Freud called it “Inferior personality”,  Jung called it “shadow”, Sullivan named it “not-me”, and so on.

All of those are also Archetypes, many shadows are hidden in our darkness of body. We need to dance it to release them.

11. Anima, Animus

Probably one of the most powerful Archetype. Anima is a secret feminine aspect of men.

Animus is the opposite, it is a secret male side in women.

However, since they lurk unconsciously, we usually do not notice them.And the man projects the feminine Qualia inside himself to a certain external woman or feminine image.

It is love. Love is unconsciously invaded by the Anima, Animus inevitably.

If I tell it in more detail, In a love affair, so multiple Qualia are entangled around the sexuality; biological sexual hormone states,  emotional influence of the Archetype of Anima, Animus, Girl, Boy, Queen, King, Princess, Prince, Great Mother, forgotten memories of relationship with Mother, Father, Grandparents, infantile girl or boyfriend, momentum flashback Qualia of them, social moral of sexuality, and so on.

It cannot be said easily. However, if you always look at the fact that you always fall in love with a particular biased woman or man, you can see the fact that Anima, Animus is involved in it.

Liberation from captivity to Anima is an unknown task in my middle of the quest. Since working on decades, just a little bit has become transparent, though it is still on the middle way. My final creation will be about Anima. Prisoners for women of Animus are also deep misery.

I can only say so now, to be honest. We may need a partner to liberate from them together.

Unless we solve this problem, it is clear that only the fact that friendship between men and women cannot be realized.

13. Great Mother

The Great Mother is the oldest Archetype and is also involved in Anima. Sometimes it appears like a superego. Great mother loves everything and eats everything. There is no distinction between love and desire to own possession.

Non-dual Resonance

Archetypes are all in the Qualia cloud that is not able to distinguish clearly. There is no clear distinction between them. Those Qualia are resonating in non-dual and multi-dimensional with changing shapes infinitely.
Sometimes other Archetypes resonate with those and become so complicated entanglement.
Old wise men, heavenly woman, boy, animal, trickster, mad, guru, god, devil etc. There is the millions number of Archetypes that are unlimited.

Every day it's going to come up with them and we are in the middle of exploring how to handle it, I still have no power to tell them all.

Here I focused only on Ego, Superego and Anima, Animus. 

Denial tendency of Ego and Superego

This super complex group of problems only has to deal with deepening multidimensional resonance theory.
Features of ego and superego are in denial. It is bound by the tendency to deny others.

The superego denies yourself from above with overtaken power.
The ego denies in a horizontal confrontation with others.
There is only a difference in position and case.

The superego always appears together with the common illusion such as justice, morality, ethics, true and good.

The whole image of the identity is in a deeper mystery than the Archetype because it is mixed with multiple elements of the sexuality, nationality, moral, education, religion, law, thoughts, and so on.

Superego is the biggest enemy of creation more than self or ego.

To calm down and stop superego and ego is necessary inner work for everybody in order to realize the better future that is able to open the infinite creativity of Life. 

How to stop ego and superego

24 hours Listening to subtle Qualia

In a quiet state where you can notice the appearance of ego and superego, it is important to spend every day at that condition, because the appearance of it is so subtle.
As long as you talk with people using words, self and superego are activated unconsciously. And in the conscious mode, we cannot listen to it.
It is important to stop talking with words externally and internally.Maintain a transparent state of mind and body that you can notice the subtle Qualia constantly.
Then you can notice at the moment when ego or superego comes up.
At that moment, you can give a greeting to ego and superego.

Hello! My ego, and superego. How are you?

I know you well, you are necessary to survive in this capitalist society. But, not now. Now I am in the creation mode. See you later!"

Never deny the ego or superego directly, because it activates them as counterproductively.

Ego and superego want to receive an optimum respect. We need sensitive attention about it.

Nobody can live in today's daily world without ego and superego.

And as long as humans are captured by ego and superego, the man keeps supporting the common illusion of Nation-state and power.

And the creativity of Life continues to be alienated from people.

For the real liberation of human beings, the disappearance of Ego, Superego, Archetypes and the Nation-state are necessary at the same time. The liberation from the common illusion of the Nation-state and politics are connected. I was working on those issues over many decades.

Beyond the huge difference between Ego and Life

Life is non-dual and multi-dimensional resonance itself.
Qualia are Life Resonance.
It has no dualistic boundary. All Qualia are resonating beyond any boundaries.
It is Rhizome that has no center, no top, no hierarchy at all.
Rhizome is able to connect freely and separate flexibly at any moment at any place.

On the contrary, ego, superego, and consciousness live in the dualistic world. It is Tree system that has hierarchic order.
There is a huge gap between Tree and Rhizome.

We need to cultivate a novel type of intelligence that is able to go and come between both realms of Tree and Rhizome.

It will be called "Transparencious" (shortening of Transparent consciousness) that is not being bound by anything, including Tree and Rhizome as the future mind.


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  12 April, 2018

Untill it does not matter whether it's me or not-me.

Finally we could find the way to release from the trap of ego and self.
We are bound by the trap of ego which is the strongest archetype during the growing process of self dynamism.
It is so hard to aware of it, because most of us are trapped by the ego archetype unconsciously.
Our parents, teachers, friends and all citizons are trapped by it unconsciously, and the children are imprinted the ego naturally, too.
Hijikata wrote a lot of experiences to be eaten by the world in various ways in the “Sick Dancing Princess”.
“A body that continued to be eaten by the world, till lost the outline.”
Also in the “Bugs walk”,
“Bugs eat your body voraciously and eat the outer space.”

Support the world, in the struggle between you and the world

Frantz Kafka said,
“Usually, I solve the problems by letting them devour me.”
“Support the world, in the struggle between you and the world.”

We found a novel subbody=cobody method to dance with becoming the world.
1. Research the strangest Qualia of the world transformation and ooze you, invade you, devour you.
2. Find a best place where you are attacked by the world Qualia. And co-create the world cobody with unique Jo-Ha-Kyu development, in the building or nature.
3. Invite a friend to the place, and approach him or her as the world cobody with Unique Jo-Ha-Kyu.
Through this method we can become the world which seems to attack you.
It is the way to support the world in the struggle between you and the world as Kafka and Hijikata said.

This is the process to become another being to cast off the previous you.
We can become transparent Rhizome or Shisha that is able to transform to anything infinitely.

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 Co-creation of "Stuffed Spring" by Reduction by X
6 April, 2018

Co-creation of "Stuffed Spring" by Reduction by X

We can co-create various strange worlds as the Stuffed Spring that Hijikata called in the Quiet House by using his transforming mewthod; "Reduction by X and regeneration".

When all of us reduce the gross movement, it bcomes the "Stuffed Spring".
If we reduce the speed, it becomes very slow motion world.
We can reduce any elements from the daily human movement, and co-create varieties of Butoh world; slow rollong stone, ancestral whisper, silent shout, and so on.

Yesterday, students reduce various elements and co-created varieties of the "Stuffed Spring".
This month, we will focu on this>
How much strange novel worlds can we co-create with?
It is fun.


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 It's Rhizome under the Tree
November 6, 2017

Tree-Rhizome method

There are infinite patterns to shift from Tree to Rhizome , and Rhizome to Tree.
We investigate in the infinite possibility of it this week.
It is the first experiment to research it in the Subbody history.

We are not caught in the Tree, and not stuck with Rhizome.
It is not able to become free truly, until we can come and go freely among the both worlds of Tree and Rhizome.
Now that scientists all over the world are captivated by a dualistic Tree logic, only we are doing this adventure in the world beyond the Tree and Rhizome.

We become subconscious mode and remeber the forgotten memories of the transformation among Tree and Rhizome.

We research with subbody and cobody in the interesting transformation among Rhizome and Tree and share it each other.

We can research it in the Solo, Duet, Trio and various numbers of cobody.

<Tree-Rhizome in the Solo>

Transform from chaotic movement as slime mold, smoke bug, and so on to an appearance of Tree shape, for example a solid shape or mechanical movement as Tree like a Kugutsu body and so on.

<Tree-Rhizome in the duet>

Find a surprising moment to change from chaotic pair movement like as rhizoming duo or contact and air contact improvisation to a unizon.
And break the unizon as Tree to Rhizome resonance duet.

<Tree-Rhizome in the subbody=cobody>

Shift from a chaotic cobody movement to a special Tree resonance pattern of cobody as line, Squer, circle, box, tower and so on, and break it to another Rhizoming cobody.

In both thought and movement, we are going to acquire techniques to switch freely between the Tree and Rhizome.

For more than 10 years ago, I have wanted to realize this technique, but was unable to succeed until now.
But, finally it is going to be able to experiment and share with everyone.
this <Tree-Rhizome technique> became possible for the first time in the world.

Read more "Sinking into the darkness"